8/10
Excellent, but makes a bunch of twists and turns along the way
17 March 2020
When it first starts out it is about Katherine, a rather fragile but lovely young woman, always being derided by her mother just so she doesn't forget she is an unlovable homebody of a woman. Think of this segment as a maternal version of "The Heiress".

And then along comes a suitor, an unlikely romantic lead in the person of Denholm Elliot. This mysterious attorney sweeps Katherine off her feet. But then a revelation- Elliot's character is a disgraced WWII soldier who betrayed his fellow soldiers when he was a POW. There are mitigating factors, but nonetheless, mom now has a reason to sweep this guy out of Katharine's life. And then Katherine discovers she is pregnant. K's mom makes K have the baby AND raise it herself mainly so she can never let Katherine forget that she made a fool of herself over a man. Just like she always said she would do. Funny, my grandma made cookies for me and read me stories. But I digress.

And then Katherine dies and leaves her daughter, Katrina (Nicole Kidman) their Australian estate. Katrina has never been off the ranch and wants to find her father, so off this naive young girl goes into the world. She has as poor judgment in men as her mother had been chronically accused of, and so she ends up with a traveling companion that gets her in deep trouble for heroin possession in Thailand. And from there it becomes a nightmare of a film. Not in quality - it is very good - but in the sordid details of the Bangkok Hilton in which Katrina is imprisoned. And then dad pops back into the picture.

Like I said, the film changes tones very starkly during its long running time - it was actually a miniseries. And Nicole Kidman shows what made her a star. Even before Tom Cruise, Nicole had the muse.
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