7/10
Good in parts
1 March 2020
Warning: Spoilers
There are some very good moments in this adaptation: Lucy tidying the kitchen, the sinister barn full of "Egyptian" sculpture and sarcophagi, wonderful performances from Joan Hickson, Jean Boht (as a northern ballet impresario) and David Horowitz. It follows the story through from beginning to end, sticking fairly faithfully to the book, with excellent costumes and a fabulous setting in a Victorian country house. (The garden has some fairly sinister statuary, too.)

Some reviewers have called this version "stiff" and "plodding". It does seem a bit slow, looking back from 2020. Some of acting is /literally/ stiff. Does Lucy have to be so literally unbending? (Likewise Joanna David.) Perhaps they were trying to be convincingly "ladylike" in a 50s mould.

There is no dramatic underscoring, there are no flashbacks, no close-ups of dripping blood or spiderwebs. And tho it takes us through the plot, the story is a little hard to follow and must be a bit baffling for those who haven't read the book. Miss M could have used Lucy as a Watson, with updates and recaps! (Christie often includes these.)

Christie thought that Lucy would run away with Cedric - John Hallam is convincingly horrible in the role! Her other suitor, Brian the ex-RAF man, is far preferable and nearer her age. There is a little confected "drama" over her choice, which doesn't quite come off. The strong woman who "moulds" a weaker husband is a Christie trope. (Neither of her husbands fit the description.)

Have I just watched an abridged version on cable, though? Wasn't there a poisoning episode in which we lost the affable Alfred and the "tontine" plot becomes more obvious? And they all seem rather unconcerned by the disappearance of Harold.
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