I saw this for the first time last night, and that is all I can say...wow. This is an incredible symphony of an emotional movie. The fact that I, too, have a history of an eating disorder really brought out my emotions for it (though some who suffer from this disease may find it triggering-I found it cathartic). The sympathy shown for the characters, especially Nelly Alard, is nothing short of extraordinary. It's even more incredible to me when you consider that it was made by a man.
There isn't a whole lot in the way of plot, but that actually works to the movie's advantage, allowing it to focus on the characters, who drive the film. At times it is hard to follow what's going on, but that makes it all the more real to me-it gives the feeling of actually being at the party being shown.
Some may find Henry Jaglom's style to be on the indulgent side, but given the subject matter, (for me anyway) it was appropriate here. I was unfamiliar with most of his body of work before seeing this (I had only seen his segment in "Movie Madness", which he later disowned), but my interest is now piqued and I will seek out more of his films if I can.
There isn't a whole lot in the way of plot, but that actually works to the movie's advantage, allowing it to focus on the characters, who drive the film. At times it is hard to follow what's going on, but that makes it all the more real to me-it gives the feeling of actually being at the party being shown.
Some may find Henry Jaglom's style to be on the indulgent side, but given the subject matter, (for me anyway) it was appropriate here. I was unfamiliar with most of his body of work before seeing this (I had only seen his segment in "Movie Madness", which he later disowned), but my interest is now piqued and I will seek out more of his films if I can.