Chhapaak - a doggedly determined acid attack survivor Malti Agarwal (Deepika Padukone) braves her physical, mental, social, economic and legal obstacles to ensure that the country becomes a safer place to live for women. She battles against poverty, social insecurity and apathy and government indifference towards her plea to make acid attack a separate crime under the penal code and ban the sale of the corrosive liquid that not just scars the face but also the soul, breaking down the victim's desire to live, confidence and willpower systematically. The attacker commits the crime, the rest of the society exacerbates it.
Succeed she does, with the help of a handful of sympathizers including an NGO and a kindly lawyer who support and lead her in every step, even when she breaks down and wants to quit in her 8 year long wait for justice. However, the statistics of the crime are grim - when acid sale was finally regulated in 2013 there were 113 cases of attack registered, whilst in 2017 with the controlled sales, the number had risen to 252. Imposition of law isn't a deterrent here, the social awareness and education would perhaps make the real difference.
The film directed by Meghna Gulzar is sombre. There's no scope of lighthearted moments here, as the film rarely strays from its path and focus. Malti's retraction from the society in the beginning and gradually regaining her confidence and zeal to bounce back to life has been shown poignantly. Vikrant Massey gives a muted, low brow but strong performance. Deepika I thought was good but often appeared to be herself instead of Malti. Her costumes were simple, but never repeated, which is unusual for the economic strata that the girl belonged to. The music and lyrics are appealing, kudos to Shankar Ehsaan Loy and Gulzar respectively. With a running time of 120 minutes, Chhapaak shuns melodrama, but often adopts a documentary style, and doesn't allow any character other than Deepika's to bloom, reducing everyone else into a mere distraction, rather than build on them.
Succeed she does, with the help of a handful of sympathizers including an NGO and a kindly lawyer who support and lead her in every step, even when she breaks down and wants to quit in her 8 year long wait for justice. However, the statistics of the crime are grim - when acid sale was finally regulated in 2013 there were 113 cases of attack registered, whilst in 2017 with the controlled sales, the number had risen to 252. Imposition of law isn't a deterrent here, the social awareness and education would perhaps make the real difference.
The film directed by Meghna Gulzar is sombre. There's no scope of lighthearted moments here, as the film rarely strays from its path and focus. Malti's retraction from the society in the beginning and gradually regaining her confidence and zeal to bounce back to life has been shown poignantly. Vikrant Massey gives a muted, low brow but strong performance. Deepika I thought was good but often appeared to be herself instead of Malti. Her costumes were simple, but never repeated, which is unusual for the economic strata that the girl belonged to. The music and lyrics are appealing, kudos to Shankar Ehsaan Loy and Gulzar respectively. With a running time of 120 minutes, Chhapaak shuns melodrama, but often adopts a documentary style, and doesn't allow any character other than Deepika's to bloom, reducing everyone else into a mere distraction, rather than build on them.