As ruthless as it is engrossing, this film deliberately lets us know early on who the spies are so we know precisely when the moments of peril subsequently arise.
There is as usual the dry humour one associates with even the most single-minded British wartime propaganda (some of the peripheral detail is even quite racy, and the wartime censor permitted a reference to cocaine addiction)!
Among a large cast of familiar faces the use of Mary Clare is particularly striking, while Phyllis Stanley is a fox as the film's Mata Hari. But the final scene with two old favourites manages to surpass all that has gone before.
Essential viewing: I would love to know what Goebbels made of it!
There is as usual the dry humour one associates with even the most single-minded British wartime propaganda (some of the peripheral detail is even quite racy, and the wartime censor permitted a reference to cocaine addiction)!
Among a large cast of familiar faces the use of Mary Clare is particularly striking, while Phyllis Stanley is a fox as the film's Mata Hari. But the final scene with two old favourites manages to surpass all that has gone before.
Essential viewing: I would love to know what Goebbels made of it!