Burt Lancaster remains one of my all-time favorite American actors, but I do not think his decision to direct THE KENTUCKIAN was his wisest.
Clearly, Burt was concerned with his image from the start, his hair always neatly coiffured despite tackling dense forest in the Kentuckyan wilds, and he wastes no time highlighting his own athleticism, good looks, healthy teeth, and blue eyes.
As Elias Wakefield, he also plays the part of a caring father to a poor Little Eli who suffers abuse at school, but is such a pure, natural child that you overlook how different Little Eli's facial features are from his progenitor's. Elias Sr. also allows himself to beaten up to a pulp before he subdues nasty Bodine (played by Matthau), and at the end he runs out the evil Fromes in great style.
John McIntire plays a solid supporting role as Elias Sr.'s older brother, who seems to care for him as much as he wants him to stay in place and do all the hard work, thereby making poor Elias Sr. the target of brotherly exploitation.
The cherry on this self-enhancing effort is Burt's capacity to have two women swooning over him. First, he is interested in Diane Foster (who is even willing to work to pay his move to Texas) but stops short of giving her the unequivocal nod, which obviously frustrates her; then, without much ado, he kisses and plans to marry Diana Lynn, and to stay in Kentucky; but, at movie's end, he listens to Little Eli and his desire to move to Texas and his preference for Diane Foster (I suppose Elias Sr. was well ahead of his time, listening to his son and acting like a late 20th Century father).
There are some brief and eye-catching sideshows like the river boat, and a band of black musicians who play a delightful tune, and - again - seem to belong more in the 1950s than in the 19th Century.
At the river boat, Elias Sr. achieves another feather for his cap, as a card greenhorn who actually cleans out the house. Attaboy, Burt!
In the end, THE KENTUCKIAN is a kind-hearted movie but I felt that I was never to lose sight of the fact that Burt was pulling all the strings... which, from my standpoint, lowers the film's quality, and gives the wrong impression about the thoughtful, humane, and intelligent human being that Burt Lancaster actually was. 6/10
Clearly, Burt was concerned with his image from the start, his hair always neatly coiffured despite tackling dense forest in the Kentuckyan wilds, and he wastes no time highlighting his own athleticism, good looks, healthy teeth, and blue eyes.
As Elias Wakefield, he also plays the part of a caring father to a poor Little Eli who suffers abuse at school, but is such a pure, natural child that you overlook how different Little Eli's facial features are from his progenitor's. Elias Sr. also allows himself to beaten up to a pulp before he subdues nasty Bodine (played by Matthau), and at the end he runs out the evil Fromes in great style.
John McIntire plays a solid supporting role as Elias Sr.'s older brother, who seems to care for him as much as he wants him to stay in place and do all the hard work, thereby making poor Elias Sr. the target of brotherly exploitation.
The cherry on this self-enhancing effort is Burt's capacity to have two women swooning over him. First, he is interested in Diane Foster (who is even willing to work to pay his move to Texas) but stops short of giving her the unequivocal nod, which obviously frustrates her; then, without much ado, he kisses and plans to marry Diana Lynn, and to stay in Kentucky; but, at movie's end, he listens to Little Eli and his desire to move to Texas and his preference for Diane Foster (I suppose Elias Sr. was well ahead of his time, listening to his son and acting like a late 20th Century father).
There are some brief and eye-catching sideshows like the river boat, and a band of black musicians who play a delightful tune, and - again - seem to belong more in the 1950s than in the 19th Century.
At the river boat, Elias Sr. achieves another feather for his cap, as a card greenhorn who actually cleans out the house. Attaboy, Burt!
In the end, THE KENTUCKIAN is a kind-hearted movie but I felt that I was never to lose sight of the fact that Burt was pulling all the strings... which, from my standpoint, lowers the film's quality, and gives the wrong impression about the thoughtful, humane, and intelligent human being that Burt Lancaster actually was. 6/10