Marianne Ihlen was a Norwegian woman living in the Greek Island of Hydra in the 1960s. There, she met Canadian poet Leonard Cohen and became his lover and muse. This documentary covers their early years together, Cohen's rise to fame, and how their lives and relationship evolved over the years that followed.
This film is rich in material and covers many fascinating topics including Cohen's career. It's fascinating to learn of his life and work before becoming a legendary singer/songwriter. And events surrounding his first stage appearance are very surprising considering the great career that followed. In addition, the film is often blunt about Cohen's struggles with depression.
"Marianne & Leonard" is beautifully expressed in the first half with a very poetic flow. It is blessed with amazing footage especially of Hydra in the early 60s. The film also joins many recent films in its depiction of the hedonism of the 60s and 70s ("Echo in the Canyon", "Gordon Lightfoot: If You Could Read My Mind", "Rocketman", "Bohemian Rhapsody"). At first, the drug scene and open marriage are exposed for their fun indulgence but the serious and devastating consequences are made very clear in the second half.
Some editing might have improved in the film's second half which occasionally meanders. Also, while it genuinely expresses the consequences of the earlier indulgences (especially for how children were affected), there are insertions of inappropriate drunkalogues ("Man, we were SO stoned that night, ya just wouldn't BELIEVE it").
While much of the second half negates the beauty of the earlier half, it is saved by an emotional conclusion that is so deeply moving, it could make a stone weep - a perfect conclusion for film that is sometimes mixed but overall quite good. - dbamateurcritic
This film is rich in material and covers many fascinating topics including Cohen's career. It's fascinating to learn of his life and work before becoming a legendary singer/songwriter. And events surrounding his first stage appearance are very surprising considering the great career that followed. In addition, the film is often blunt about Cohen's struggles with depression.
"Marianne & Leonard" is beautifully expressed in the first half with a very poetic flow. It is blessed with amazing footage especially of Hydra in the early 60s. The film also joins many recent films in its depiction of the hedonism of the 60s and 70s ("Echo in the Canyon", "Gordon Lightfoot: If You Could Read My Mind", "Rocketman", "Bohemian Rhapsody"). At first, the drug scene and open marriage are exposed for their fun indulgence but the serious and devastating consequences are made very clear in the second half.
Some editing might have improved in the film's second half which occasionally meanders. Also, while it genuinely expresses the consequences of the earlier indulgences (especially for how children were affected), there are insertions of inappropriate drunkalogues ("Man, we were SO stoned that night, ya just wouldn't BELIEVE it").
While much of the second half negates the beauty of the earlier half, it is saved by an emotional conclusion that is so deeply moving, it could make a stone weep - a perfect conclusion for film that is sometimes mixed but overall quite good. - dbamateurcritic