The concept of a downtrodden man getting his life back on track has been done many times before, but Ken Loach has managed to put a unique spin on it, as well as imbuing it with a lot of pathos.
Having Eric Cantona in a main role puts this film in a unique position, as there aren't many players like him who are so embedded into the psyche of a city. He in a way represents Manchester, which makes sense for Eric Bishop to visualise him specifically to help him out. Cantona's own story of struggle and then redemption makes him especially suited to helping out someone who is having a tough time in their life, which is why this story works so well.
Cantona himself has a decent screen presence, but Steve Evets puts in a powerhouse performance which really makes the film worth watching. He can really explode with fury, but his quieter scenes of disappointment, anguish and hope are also brilliant.
Loach does well to manage the magical realism side of the story along with his usual kitchen-sink drama, and any conversation is exceptionally interesting because of that. Paul Laverty should also get a lot of credit for his screenwriting work here.
This is something I would definitely recommend.
Having Eric Cantona in a main role puts this film in a unique position, as there aren't many players like him who are so embedded into the psyche of a city. He in a way represents Manchester, which makes sense for Eric Bishop to visualise him specifically to help him out. Cantona's own story of struggle and then redemption makes him especially suited to helping out someone who is having a tough time in their life, which is why this story works so well.
Cantona himself has a decent screen presence, but Steve Evets puts in a powerhouse performance which really makes the film worth watching. He can really explode with fury, but his quieter scenes of disappointment, anguish and hope are also brilliant.
Loach does well to manage the magical realism side of the story along with his usual kitchen-sink drama, and any conversation is exceptionally interesting because of that. Paul Laverty should also get a lot of credit for his screenwriting work here.
This is something I would definitely recommend.