The 80's were not very kind to Altman. After the disappointment of Popeye, both artistically and at the box office, he was banished from Hollywood. Altman burnt too many bridges on the Popeye shoot and so ended up at the University of Michigan teaching his films and staging plays, among other things. His filmography during this time tended towards smaller stories, often derived from stage plays. He had limited artistic success and almost no commercial success during this time. Fool for Love is among his most successful works from this time period, both critical and commercially but it is one of the Altman's most inaccessible films.
This film is a bizarre marriage of ponderous melodrama and the light detached bemused tone that is iconic Altman. Shepard's script, from his play, tells a battle of the sexes doomed romance story with a dash of family squabble that reminds me of a striped down version of Who's Afraid of Virginia Wolf? As written the story is a series of preposterous reveals and twists that upon final analysis add up to very little. It is all smoke and mirrors. The story is engaging because it is utterly weird. It has a roughness to it that shows promise, but Shepard does not know what to do with these characters in the end.
Fortunately, Altman leans into the script's limited setting. The motel on the edge of society coupled with the Western motifs present really allows Altman to bring out the absurdity present in the script. The film is dryly funny; it really undermines the Western image of masculinity. But the direction doesn't seem to link up to the script which also makes the film not add up too much. (And the photography is quite lovely to look at)
A must for Altman fans but others would be advised to check out other Altman films first.
This film is a bizarre marriage of ponderous melodrama and the light detached bemused tone that is iconic Altman. Shepard's script, from his play, tells a battle of the sexes doomed romance story with a dash of family squabble that reminds me of a striped down version of Who's Afraid of Virginia Wolf? As written the story is a series of preposterous reveals and twists that upon final analysis add up to very little. It is all smoke and mirrors. The story is engaging because it is utterly weird. It has a roughness to it that shows promise, but Shepard does not know what to do with these characters in the end.
Fortunately, Altman leans into the script's limited setting. The motel on the edge of society coupled with the Western motifs present really allows Altman to bring out the absurdity present in the script. The film is dryly funny; it really undermines the Western image of masculinity. But the direction doesn't seem to link up to the script which also makes the film not add up too much. (And the photography is quite lovely to look at)
A must for Altman fans but others would be advised to check out other Altman films first.