In many films where teachers play an important role (("Dead poets society", 1989, Peter Weir), ("October Sky", 1999, Joe Johnston) they are self assured role models for their pupils. In "We'll live till monday" the teachers have problems and doubts of thier own. In this respect the film is more like "Twenty four eyes" (1954, Keisuke Kinoshita).
The year 1968 was a year of protest. Civil rights protests in the USA, Studentprotests in France and last but not least the Prague Spring protest in Czechoslovakia. The pupils in "We'll live till monday" also show signs of rebellion, but according to Western standards it is a very sheepish form of rebellion. However their indifference about the lessons of their history teacher of the 1917 october revolution may well have been very sensitive in the Brezhnev era.
One of the teachers is living with his mother and still single. The interference of his mother with his private live, and her attempts to raise his interests for women reminded me of many Ozu films (although in these films the single one is mostly a daughter).
The year 1968 was a year of protest. Civil rights protests in the USA, Studentprotests in France and last but not least the Prague Spring protest in Czechoslovakia. The pupils in "We'll live till monday" also show signs of rebellion, but according to Western standards it is a very sheepish form of rebellion. However their indifference about the lessons of their history teacher of the 1917 october revolution may well have been very sensitive in the Brezhnev era.
One of the teachers is living with his mother and still single. The interference of his mother with his private live, and her attempts to raise his interests for women reminded me of many Ozu films (although in these films the single one is mostly a daughter).