The thing with most Liam Neeson actioners these days is that their screenplays solely depend on his tough guy demeanor to keep the proceedings engaging. Cold Pursuit, another Liam Neeson actioner on the onset, is entertaining but for reasons not pertaining to the set pieces alone. Don't get me wrong, the set pieces are very much there but this film doesn't go the typical Hollywood remake route.
While I haven't watched the Norwegian original (In The Order of Disappearance; the name choice a lot more suitable for the film), it sure seems like the material writer Kim Fupz Aakeson and director Hans Petter Molland (who has directed the remake as well) had in hand was worthy of a re-telling. While there are some sly remarks made by baddie characters in the film that are sure to turn some sections of the viewers off (in fact, in-your-face offensive at times), everyone who does so eventually gets the 'treatment' they deserve, which was satisfying as hell.
The crude humor takes a while to arrive, as the incident that sets the storyline in motion is a grim one: the son of a snow-plow operator is found dead during a snowy winter in Kehoe and he decides to find out who's behind it. More characters are unveiled, while some begin to 'disappear'. A title card with the respective character's name shows up every time a 'disappearance' occurs (innovative!). I couldn't help but laugh out loud at instances such as the 'Coxman reference' joke, the whole 'Eskimo' scene, and of course, the 'motel' scene. You'll know when you've watched!
And yet, amid all that, you have a brilliantly written scene featuring Nels (Liam Neeson) bonding with the chief baddie's son in a "Tell me a story so that I can sleep" situation. It does its bit in showing us that even as Nels goes about enacting his vengeance, he still has a heart that yearns for the son that he lost. The climactic showdown is executed well and ends on a rather 'unexpectedly funny' note. I know of Neeson's 'racist' comments and the controversy surrounding it, but I can't deny the fact that his performance was pretty good in this movie, as he always gives a 100% even when the scripts offered to him are mediocre.
It's easy to write off 'Cold Pursuit' as cliched, predictable action-drama, but the clever undercurrent of dark humour does the trick at least for some of us. This film was very much in Tarantino-Coen-Zahler territory (minus the subtlety, of course!). I adore both Emmy Rossum and Laura Dern, and am of the opinion that they should've had better-written roles in the movie. 'Cold Pursuit' meanders a bit in its storytelling and is indeed more fascinating in fragments than as a whole, but you can give it a watch if you're a fan of black comedies.
While I haven't watched the Norwegian original (In The Order of Disappearance; the name choice a lot more suitable for the film), it sure seems like the material writer Kim Fupz Aakeson and director Hans Petter Molland (who has directed the remake as well) had in hand was worthy of a re-telling. While there are some sly remarks made by baddie characters in the film that are sure to turn some sections of the viewers off (in fact, in-your-face offensive at times), everyone who does so eventually gets the 'treatment' they deserve, which was satisfying as hell.
The crude humor takes a while to arrive, as the incident that sets the storyline in motion is a grim one: the son of a snow-plow operator is found dead during a snowy winter in Kehoe and he decides to find out who's behind it. More characters are unveiled, while some begin to 'disappear'. A title card with the respective character's name shows up every time a 'disappearance' occurs (innovative!). I couldn't help but laugh out loud at instances such as the 'Coxman reference' joke, the whole 'Eskimo' scene, and of course, the 'motel' scene. You'll know when you've watched!
And yet, amid all that, you have a brilliantly written scene featuring Nels (Liam Neeson) bonding with the chief baddie's son in a "Tell me a story so that I can sleep" situation. It does its bit in showing us that even as Nels goes about enacting his vengeance, he still has a heart that yearns for the son that he lost. The climactic showdown is executed well and ends on a rather 'unexpectedly funny' note. I know of Neeson's 'racist' comments and the controversy surrounding it, but I can't deny the fact that his performance was pretty good in this movie, as he always gives a 100% even when the scripts offered to him are mediocre.
It's easy to write off 'Cold Pursuit' as cliched, predictable action-drama, but the clever undercurrent of dark humour does the trick at least for some of us. This film was very much in Tarantino-Coen-Zahler territory (minus the subtlety, of course!). I adore both Emmy Rossum and Laura Dern, and am of the opinion that they should've had better-written roles in the movie. 'Cold Pursuit' meanders a bit in its storytelling and is indeed more fascinating in fragments than as a whole, but you can give it a watch if you're a fan of black comedies.