Travelling to Birmingham to get Easter presents for friends and family,I decided that whilst in the city I would go catch a film. Visiting the oldest working cinema in the UK (The Electric) I found a flick with a run time that would give me just enough time to catch the train home,so I get set to see the new captain of the MCU.
View on the film:
Whilst facially de-aged with seamless CGI,Samuel (yel)L. Jackson swaggers with a coolness that has not aged one bit, with Jackson hitting Fury's comedic punch-lines with a smooth as silk ease. The first woman superhero in the Disney Marvel films to have her own solo movie, Brie Larson brings out the heroic in Marvel's passion to save the Skrulls, but fails to fly to a super height in the comedic,and establishment of her own origins,as Larson delivers punch lines with a stilted awkwardness which allows Jackson (who has worked with Larson three times) to outshine her in the jokes, and Larson also keeps a cold distance from giving Marvel the enthusiasm other superheros have when using their powers.
Designed as a origin for Captain Marvel, the writers visibly show more interest in the side characters than they do in lead, with the plight of the Skrulls bringing a heart and urgency to the mission, which drifts away in the mid-section that focuses on Marvel's dry beginnings. Dipping into the Dr Strange-style fantastical with a striking sequence of Marvel fighting her inner turmoil, co-directors Anna Boden and Ryan Fleck are joined by cinematographer Ben Davis in largely skipping over the enticing fantastical (save for a cute cat) to deliver slick Marvel Comics action set-pieces and Star Wars-inspired space ship races, wrapped in a catchy 90's soundtrack leaving No Doubt on Captain Marvel's powers.
View on the film:
Whilst facially de-aged with seamless CGI,Samuel (yel)L. Jackson swaggers with a coolness that has not aged one bit, with Jackson hitting Fury's comedic punch-lines with a smooth as silk ease. The first woman superhero in the Disney Marvel films to have her own solo movie, Brie Larson brings out the heroic in Marvel's passion to save the Skrulls, but fails to fly to a super height in the comedic,and establishment of her own origins,as Larson delivers punch lines with a stilted awkwardness which allows Jackson (who has worked with Larson three times) to outshine her in the jokes, and Larson also keeps a cold distance from giving Marvel the enthusiasm other superheros have when using their powers.
Designed as a origin for Captain Marvel, the writers visibly show more interest in the side characters than they do in lead, with the plight of the Skrulls bringing a heart and urgency to the mission, which drifts away in the mid-section that focuses on Marvel's dry beginnings. Dipping into the Dr Strange-style fantastical with a striking sequence of Marvel fighting her inner turmoil, co-directors Anna Boden and Ryan Fleck are joined by cinematographer Ben Davis in largely skipping over the enticing fantastical (save for a cute cat) to deliver slick Marvel Comics action set-pieces and Star Wars-inspired space ship races, wrapped in a catchy 90's soundtrack leaving No Doubt on Captain Marvel's powers.