A film that you would think would be asking questions on the morality of euthanasia, as this is the employment of the main characters, but no, it doesn't. It does start off doing so when we hear the brooding sermonising of Walter Bardon as the bible bellowing Mr Poole. Once Malison's out of the way we soon realise this becomes just a ghost story set around the ending of an old mans life by euthansia.
Nothing really wrong with the opening scenes where we are introduced to the main characters: Liv Collins as Malison, a poverty stricken, conscientious novice who fouls up on her debut assignment in her new employment. And Sarah Power as Olivier, a professionally detatched, tough, badd-ass with 3 years service who gets partnered up with Malison on her next assignment to get her over her inept start.
The competant acting arises some optimism for the rest of the film, but sadly this soon disolves when the ghosts start appearing and disappearing without doing much else but appear then disappear. This is where counting candles may become a suitable alternative to watching the lack of any worthwile action. In fact the most creepy creep around is the house steward, the son of the doomed owner, another well acted role.
The final scenes, the expected demise of the owner of the house, rise to something which we would have hoped would have been the norm for the middle part. It is right out of Edgar Allan Poe territory, before the film loses it's way with a couple of more deaths, one not surprising but gruesome, and one surprising but less gruesome.
The film rounds off with a rather pointless ending.
Review of The Hexecutioners
