5/10
Good actors, crazy script
26 December 2018
While a relative newcomer to Korean TV drama, I know good acting when I see it, and there are some excellent performances here. The two daughters, particularly Miho, were able to say so much with a look, a gesture, body posture and movement. The main actor certainly earned his salary, particularly in the first half, and his hometown buddy sidekick was funny without being cringey.

The problem was twofold: the script writers obviously loved It's A Wonderful Life, and they managed to write themselves into a corner they couldn't get out of. The person who watched it with me wondered if we were seeing a parable of divorce. I replied wondering why the writers thought the Afterlife would be run like an incompetent company. The story just kept getting weirder and weirder, and I was getting so tired of all the emotional angst on the part of all the characters that I nearly walked away. The action takes place from March to May, but we are treated (subjected) to a Christmas carol at one point--a reference to It's A Wonderful Life--and an odd little moment of song and dance. However since it was only 18 episodes I hung tough, just to see what they could possibly do to redeem the mess. The last episode does redeem the tangle somewhat, but came dangerously close to a cop-out.
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