A classical tale of ambition with a powerful modern setting. The mystifying world of the Beauty Pageant, where everything is about scoring points, and there are many scores to be settled.
Catherine Zeta-Jones has never been better. As Vicki Ellis she prowls through each scene like a tigress, strong, independent, defiant almost, yet vulnerable. A latter day Mildred Pierce (Joan Crawford, 1945) or Charlotte Vale (Bette Davis, Now, Voyager 1942), but this is no 1940s noir, absolutely modern this is the fast-paced era of social media, where things go wrong in Vicki's seemingly perfect world. First she must deal with a client who wrecks her own chances, and then takes on a client in which she has very little faith. She is forced to ask for help, while struggling with a family secret that threatens to blow everything out of the water.
The writing is crisp, sweet, sour, funny, sad, it packs a lot into each half hour episode, the situations are believable and the dialogue spot on. The cast are wonderful and give it their all, no coasters here, Zeta-Jones is a huge stand out, but as the young hopeful, Belle Shouse is far from overwhelmed by the presence of a well-known star, she gives her sweet, naïve young Miss Claremore just enough acidity to fit right in. Based on what I have seen so far, I would choose to purchase this one to keep forever, and it is rare that I do that. This is one of those series that you instinctively choose for your desert island collection.
Review of Queen America
Queen America
(2018–2019)
Poignant, dark, funny in all the right places, ticks all my boxes.
26 November 2018
Warning: Spoilers