Creed II (2018)
8/10
What We Love...
25 November 2018
In "Creed II" elder noble Sylvester Stallone reprises as legendary Rocky Balboa. Rocky asks Adonis "Donnie" Creed, played by amazing Michael B. Jordan, "What are you fighting for?" World Heavyweight Champion Donne was physically massacred in a previous fight with 6' 5", 245 pound 'beast' Viktor Drago, played by real-life German boxer Florian Munteanu, son of Ivan Drago, surprising Dolph Lundgren.

Recall from "Rocky IV" Ivan killed Adonis's Father Apollo Creed in an exhibition boxing match that Rocky declined. Rocky could have saved his best friend Apollo by stopping the fight, but he didn't. That haunted Rocky for the last 33 years. In "Rocky IV" Rocky traveled to Moscow to fight Ivan to avenge Apollo's death. He knocks out Ivan in the final round. Steroid juiced Ivan was supposed to be the "perfect" fighter. Perhaps, not. This all happened before Adonis was even born. In the past.

So what is Donne fighting for? Director Steven Caple Jr. creates Donnie's journey in "Creed II" with less poignancy and clarity than the original "Creed". Steven replaced Ryan Coogler as director with somewhat lesser human transparency. Yet, "Creed II" is good enough. "Creed II" is the compelling narrative of the 'Sins of the Fathers'. In a touching moment in Rocky's restaurant "Adrian's" Ivan confronts Rocky for the first time since they fought.

Granite-like Dolph as Ivan commands subtle gravitas. He says to Rocky, "Because of you, I lost everything." When Ivan lost to Rocky he plummeted from virtual paragon to social outcast in Ukraine. His wife left both him and his son Viktor. All Viktor knows is fighting. He was "raised in hate" by Ivan. We witness their "tough love" relationship as the movie opens as Ivan chastises Viktor to run faster while driving in his van. They both have something to prove.

That volatile Father-Son dynamic is the realistic anchor of Sylvester Stallone and Juel Taylor's screenplay. Sly and Juel might have intended for more Shakespearean, but the narrative is too broad and unfocused. In "Creed" I was in tears as Donnie tells Rocky not to stop his fight. He still had something to prove: "That I'm not a mistake." In "Creed II" Rocky has become the Father, Donnie needed. However, Rocky is incomplete in his own relationship with his son Robert, played by Milo Ventimiglia.

Donnie must reconcile his late father Apollo's legacy, a man he never knew. Totally chiseled Michael B. inspires authentic suffering and vulnerability as Donnie seeks to discover himself. The boxing scenes in "Creed II" are visually astounding. Michael gained 20 pounds of muscle and along with Florian trained intensely for months.

Where the fights in "Creed" had an authentic realism, "Creed II" is more theatrical in the shear speed and power displayed on screen. The traded blows make you wince. That visceral emotion comes across in the first fight. Donnie is the valiant champion, who is truly afraid. Viktor is bigger, faster, and stronger. How can he win?

It's in the life outside the ring that redeems and transcends "Creed II". In the whimsical scene after Donnie wins the Heavyweight Championship, he asks his "Unc" for advice in proposing to Bianca, radiantly beautiful Tessa Thompson. Bianca is Donnie's longtime girlfriend, the gifted singer-composer gradually losing her hearing to a degenerative disease. Rocky tells Donnie to forget what's in your head, go with what's in your heart. When "Creed II" shows its heart as Michael B cries watching the diagnostic monitor in the hospital, it reminds that humanity and family worth fighting for.

Michael B eloquently defines the Hero in his courageous acts and in the power of his tears. He and Dolph discover the forgiveness in our sins of the past. Michael empowers "Creed II": Life is about the passion of what we love, whether we win or lose. That's what is at stake in Donnie and Vilktor's climactic Championship fight.

In the timeless tale of Fathers and Sons: The Son wants to know that his Father is proud of him. The Son wants to know his Father's love. In this "Creed II" delivers a knockout. We all need to know that we're enough, that we all deserve to be loved.
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