Film noir fans seem to be ready to watch just about anything that their favorite genre provides, very much including minor efforts of which few have heard. This particular one has been available from various public domain sources for years, but it will probably prove to be a tedious disappointment.
Franchot Tone plays a district attorney who begins an investigation into the suicide (?), which the audience knows from the opening scene is a murder, of a press printer for a hate group. Soon the D.A.'s reporter/buddy on the same case is also murdered.
This murky, confused, badly edited film's narrative is a challenge for anyone to follow. That's not particularly uncommon for film noirs, of course, but the film (especially with the various PD prints) also lacks any distinctive visual interest or directorial style, making for a pretty dull going that, for this viewer, at least, couldn't end soon enough. Prints of the film may vary. The one I saw was 74 minutes.
The most curious aspect of this low budget production are the various three to five second cameos made by a number of "A" list stars. There's Burgess Meredith as a bartender, Henry Fonda as a waiter, John Garfield as a newspaper reading street guy and Marlene Dietrich as a patron leaving a nightclub, that nightclub appropriately called "The Blue Angel." I also spotted Marsha Hunt and Everett Sloane.
Exactly why these stars briefly appear I'm not quite certain, though in the case of Garfield it was as a favor for pal Franchot Tone. It was probably much the same kind of thing with the others.
If you're a hardcore noir fan (there is one murder sequence done at a low camera angle that perks the interest a little), there are various prints of dubious quality available of this one on You Tube.
Franchot Tone plays a district attorney who begins an investigation into the suicide (?), which the audience knows from the opening scene is a murder, of a press printer for a hate group. Soon the D.A.'s reporter/buddy on the same case is also murdered.
This murky, confused, badly edited film's narrative is a challenge for anyone to follow. That's not particularly uncommon for film noirs, of course, but the film (especially with the various PD prints) also lacks any distinctive visual interest or directorial style, making for a pretty dull going that, for this viewer, at least, couldn't end soon enough. Prints of the film may vary. The one I saw was 74 minutes.
The most curious aspect of this low budget production are the various three to five second cameos made by a number of "A" list stars. There's Burgess Meredith as a bartender, Henry Fonda as a waiter, John Garfield as a newspaper reading street guy and Marlene Dietrich as a patron leaving a nightclub, that nightclub appropriately called "The Blue Angel." I also spotted Marsha Hunt and Everett Sloane.
Exactly why these stars briefly appear I'm not quite certain, though in the case of Garfield it was as a favor for pal Franchot Tone. It was probably much the same kind of thing with the others.
If you're a hardcore noir fan (there is one murder sequence done at a low camera angle that perks the interest a little), there are various prints of dubious quality available of this one on You Tube.