WE THE ANIMALS lulls you into thinking it's a mere memory piece. Much of the film is made up of short scenes that are more snatches in time, than anything resembling a tight narrative. Jeremiah Zagar's debut film follows three young Hispanic boys as they grow up in the 80s in upper state New York - Manny, Joel and Jonah (Evan Rosado; who also narrates). Their parents Ma (Sheila Vand) and Paps (Raul Castillo) struggle not only with making ends meet, but, also in their volatile relationship. Although the family has moved from NYC to the more bucolic rural suburbs, their move isn't necessarily a happy one.
While the film may seem formless at times, the vibrantly shot and directed segments (lots of hand-held; grainy earthy 16mm film stock), accumulate over the course of the movie. A flashback might just seem like a fuzzy thought when it passes by earlier in the film, but, pays off later. Zagar's stylistic touches don't always work. Jonah's drawings in a sketch book get animated at certain points in the film, but, never really feel all too well integrated. What does emerge is a larger picture of a family battling both within and without. Paps' macho Latino father dominates not only the mother, but, also causes frissons within the trio of brothers.
WE THE ANIMALS can be taken as simply a flashback reminiscence (it's based on a memoir by Justin Torres), but, once you let it roll over in your mind, a more complete 'story' takes hold. And, it it's a powerful one. Zagar's film is a refreshing, if at times, painful feature.
While the film may seem formless at times, the vibrantly shot and directed segments (lots of hand-held; grainy earthy 16mm film stock), accumulate over the course of the movie. A flashback might just seem like a fuzzy thought when it passes by earlier in the film, but, pays off later. Zagar's stylistic touches don't always work. Jonah's drawings in a sketch book get animated at certain points in the film, but, never really feel all too well integrated. What does emerge is a larger picture of a family battling both within and without. Paps' macho Latino father dominates not only the mother, but, also causes frissons within the trio of brothers.
WE THE ANIMALS can be taken as simply a flashback reminiscence (it's based on a memoir by Justin Torres), but, once you let it roll over in your mind, a more complete 'story' takes hold. And, it it's a powerful one. Zagar's film is a refreshing, if at times, painful feature.