Having done several movies where she was behind bars, Beverly Michaels began to lighten her image after starting off as the opportunistic hard boiled tramp, and here, is the victim, ending up in a British women's prison after defending herself against a violent lover. Sure, he had found out that she was planning on leaving him for the man she really loved, but with his hands on her throat and a quick way of defending herself at her disposal, the sympathy instantly lies with Michaels. The prison she ends up in isn't the brutal American detention center that audiences had become familiar with through 1950's "Caged" and 1955's "Women's Prison" (or even another Beverly Michaels melodrama, "Betrayed Women"), but one where the warden seems to be concerned about her charges, encouraging the emotionally broken Michaels to utilize the library and try to make friends. When Beverly rescues a girl who accidentally catches on fire in the prison kitchen, the warden (Valarie Wright) decides to fool her into escaping as a part of a plot by the U.S. State Department in capturing her criminal boyfriend.
This fails to convince on two merits. It lacks the camp value of other women's prison films, and the subplot of Michaels and several other inmates being allowed to escape (one of them with a baby!) just seems totally unrealistic, no matter the motivations behind it. On the run, they find help in the most unbelievable of places, and while hiding out in the home of Hermoine Baddley's, Michaels must act all heroic to prevent Ms. Baddley from taking the baby of the missing mother to the authorities. It's all well intended, fairly entertaining, and sincerely acted, but most of it, I just couldn't buy. Thora Hird as the elderly inmate they refer to as "Granny" gets to steal every scene she's in, with Joan Rice as the other escapee and future Jock Ewing (Jim Davis) in the small part of Michaels' traitorous lover. Paul Cavanaugh is commanding as the American state department worker who initializes the escape, while Ralph Michael as the older lover whom Michaels defends herself from is completely repulsive. It's a mixed bag I wanted to like more, but lacking in the toughness of other women in prison movies and containing a plot I had a hard time swallowing, I have to rank this as one of the weaker films in that genre. Even though others are worse, this one just ends up being not very interesting.
This fails to convince on two merits. It lacks the camp value of other women's prison films, and the subplot of Michaels and several other inmates being allowed to escape (one of them with a baby!) just seems totally unrealistic, no matter the motivations behind it. On the run, they find help in the most unbelievable of places, and while hiding out in the home of Hermoine Baddley's, Michaels must act all heroic to prevent Ms. Baddley from taking the baby of the missing mother to the authorities. It's all well intended, fairly entertaining, and sincerely acted, but most of it, I just couldn't buy. Thora Hird as the elderly inmate they refer to as "Granny" gets to steal every scene she's in, with Joan Rice as the other escapee and future Jock Ewing (Jim Davis) in the small part of Michaels' traitorous lover. Paul Cavanaugh is commanding as the American state department worker who initializes the escape, while Ralph Michael as the older lover whom Michaels defends herself from is completely repulsive. It's a mixed bag I wanted to like more, but lacking in the toughness of other women in prison movies and containing a plot I had a hard time swallowing, I have to rank this as one of the weaker films in that genre. Even though others are worse, this one just ends up being not very interesting.