In the bonus segment of the DVD of "Backstabbing for Beginners," writer-director Per Fly described his goal of capturing in the diplomatic world "the grey area of life where every human being exists." He also observed that corruption is the only way of life in the "system" of geopolitical affairs.
The film was adapted from the Michael Soussan book that exposed the duplicity and greed behind the United Nations multi-billion-dollar "Oil-for-Food" program that was rife with bribes, kickbacks, and sweetheart deals. The corruption was so widespread that it involved two thousand companies and fifty-six countries.
The screenplay depicted the intersection of the shady "Oil-for-Food" operation with the equally duplicitous pretext for the United States to invade Iraq. Occasionally, documentary footage is interspersed with the action of the film. Initially, Per Fly wanted to make a documentary film, then reshaped his screenplay into the fictionalized version of the story. But the blending of documentary and fictional styles is effective for this subject.
The film was successful in evoking the director's vision of the "grey area" of characters who may be simultaneously humanitarians and crooks. This dialectic is no more apparent than in the character of the diplomat Pasha, brilliantly performed by Ben Kingsley. Pasha has genuine concern for feeding and providing medical care to starving children. But that does not prevent him as well from becoming a cynic and a grifter.
One might even argue that Michael, the idealistic young protégé of Pasha, also lives in a grey area where he will sacrifice a vital piece of incriminating evidence in order to save Nashim, with whom he has fallen in love. Still, the young diplomat whom Pasha calls "The Kid" has enough integrity to continue the fight for of peace and justice.
It is unfortunate that we do not have many examples of "The Kid" in current diplomatic affairs. But when they do surface, it is a cause for celebrating our humanity and the desire to move closer to a peaceful world order.
The film was adapted from the Michael Soussan book that exposed the duplicity and greed behind the United Nations multi-billion-dollar "Oil-for-Food" program that was rife with bribes, kickbacks, and sweetheart deals. The corruption was so widespread that it involved two thousand companies and fifty-six countries.
The screenplay depicted the intersection of the shady "Oil-for-Food" operation with the equally duplicitous pretext for the United States to invade Iraq. Occasionally, documentary footage is interspersed with the action of the film. Initially, Per Fly wanted to make a documentary film, then reshaped his screenplay into the fictionalized version of the story. But the blending of documentary and fictional styles is effective for this subject.
The film was successful in evoking the director's vision of the "grey area" of characters who may be simultaneously humanitarians and crooks. This dialectic is no more apparent than in the character of the diplomat Pasha, brilliantly performed by Ben Kingsley. Pasha has genuine concern for feeding and providing medical care to starving children. But that does not prevent him as well from becoming a cynic and a grifter.
One might even argue that Michael, the idealistic young protégé of Pasha, also lives in a grey area where he will sacrifice a vital piece of incriminating evidence in order to save Nashim, with whom he has fallen in love. Still, the young diplomat whom Pasha calls "The Kid" has enough integrity to continue the fight for of peace and justice.
It is unfortunate that we do not have many examples of "The Kid" in current diplomatic affairs. But when they do surface, it is a cause for celebrating our humanity and the desire to move closer to a peaceful world order.