In «Body Without Soul», Wiktor Grodecki's second installment of his trilogy on male prostitution in the Czech Republic, the filmmaker tackled the industry of homosexual pornography in the country, and he was lucky to have the participation of Pavel Rousek, pornographer in his free time and medical examiner as his profession. Rousek is a character that alternates between the repulsive and the fascinating, but it is he who brings Grodecki out of porno-misery and his method of editing and using music.
Once again, Grodecki is talking about Death, about sex that neither procreates nor derives pleasure, but an activity done in front of a cheap camera, for little pay, with no protection and enduring physical abuse. In these times, in which life has depreciated to the point that anyone is killed for a peanut, in which people sell their bodies because they have reduced it to the category of mere shell, «Body Without Soul» is a timely product, even though 23 years have passed since its release.
Grodecki also had one more time a group of young prostitutes between 14 and 19 years old, who spoke with courage to the camera. Among them, there is a young man who, as the film progresses, reveals that he has acquired AIDS, while the others speak frankly of their lack of fear of Death. Then you have Rousek: the pornographer not only gave an interview, but also allowed himself to be filmed during the shooting of one of his movies and, even more impressive, at work in the morgue, in front of a corpse that he dismembered, while making parallels between both activities.
However, Grodecki could not lose the habit of mellowing, melodramatizing and manipulating the audience with fragments of the most tearful music ever composed by Albinoni, Mahler, Vivaldi, Allegri and Mozart. Not even the group Olympic contributed something cheerful, but the weeping ballad "Tears of Your Mother". Neither on this occasion, Grodecki tried to contextualize his documentary in time and place, on the economic, political or social situation of the Czech Republic. Where, how and why did these guys come up with the idea of practicing prostitution or appearing in gay porno? Out of the blue? Because of hunger, but why were they hungry? Simply because they are amoral, ignorant or cynical? There are no answers.
In spite of everything, there is a notable advance in «Body Without Soul» when compared to the first installment of the trilogy, «Not Angels But Angels». Despite the endless music and sound effects, both documentaries will serve as historical memory of the beautiful city of Prague, at a time when it was being eaten away by a contagious and lethal disease. Followed by «Mandragora», last part of the trilogy.
Once again, Grodecki is talking about Death, about sex that neither procreates nor derives pleasure, but an activity done in front of a cheap camera, for little pay, with no protection and enduring physical abuse. In these times, in which life has depreciated to the point that anyone is killed for a peanut, in which people sell their bodies because they have reduced it to the category of mere shell, «Body Without Soul» is a timely product, even though 23 years have passed since its release.
Grodecki also had one more time a group of young prostitutes between 14 and 19 years old, who spoke with courage to the camera. Among them, there is a young man who, as the film progresses, reveals that he has acquired AIDS, while the others speak frankly of their lack of fear of Death. Then you have Rousek: the pornographer not only gave an interview, but also allowed himself to be filmed during the shooting of one of his movies and, even more impressive, at work in the morgue, in front of a corpse that he dismembered, while making parallels between both activities.
However, Grodecki could not lose the habit of mellowing, melodramatizing and manipulating the audience with fragments of the most tearful music ever composed by Albinoni, Mahler, Vivaldi, Allegri and Mozart. Not even the group Olympic contributed something cheerful, but the weeping ballad "Tears of Your Mother". Neither on this occasion, Grodecki tried to contextualize his documentary in time and place, on the economic, political or social situation of the Czech Republic. Where, how and why did these guys come up with the idea of practicing prostitution or appearing in gay porno? Out of the blue? Because of hunger, but why were they hungry? Simply because they are amoral, ignorant or cynical? There are no answers.
In spite of everything, there is a notable advance in «Body Without Soul» when compared to the first installment of the trilogy, «Not Angels But Angels». Despite the endless music and sound effects, both documentaries will serve as historical memory of the beautiful city of Prague, at a time when it was being eaten away by a contagious and lethal disease. Followed by «Mandragora», last part of the trilogy.