As many have said, the premise of this film is very good, but it is lost in a mess of structure that would shame must university film society. It is a number of stories within a story, which lose momentum as the film continues. The main plot is the sudden reappearance of a film maker's wife after an absence of 21 years, but this is submerged by unnecessary interludes.
I watched the film at the French Film Festival in Sydney, and throughout the film people trickled out, not returning. What kept me was the excellent acting as ever from Cotillard and Gainsbourg, but you honestly wonder why and how they signed up for such a messy screenplay.
If this film was a blind date, it would talk erratically at you for nearly two hours, then leave abruptly for no reason. Avoid.
I watched the film at the French Film Festival in Sydney, and throughout the film people trickled out, not returning. What kept me was the excellent acting as ever from Cotillard and Gainsbourg, but you honestly wonder why and how they signed up for such a messy screenplay.
If this film was a blind date, it would talk erratically at you for nearly two hours, then leave abruptly for no reason. Avoid.