Outside of Lugosi, Karloff, Rathbone and Deanna Durbin...
This B Universal thriller creates a mysterious new monster, an unseen allegedly doctor who decides to play judge and jury when the jury commits travesties of justice. Patric Knowles is a famous detective brought into the case when nobody else can find any clues as to who the guilty party is. "The most notorious case since Jack the Ripper", Sherlock Holmes would say, and while there's no Holmes and Watson, there is a brief appearance by Scottish Mary Gordon, not Mrs. Hudson here from the "Sherlock Holmes" films, but the mother of one of Dr. RX's victims who survived. This is initially intriguing, but quickly stagnates as talk takes over any suspense, giving either clues and suspects which are possibly red herrings. Anne Gwynne, as Knowles's wife, does nothing but fret, while Mantan Moreland and Shemp Howard provide low brow comedy. Other familiar faces pop up in needless roles, and it's surprising that they didn't include Lugosi, Karloff and Chaney in uncredited cameos. It's not hideous and flies by pretty quickly, culminating in a tense chase sequence, but I think most viewers can simply agree that this had been done before but better. The twist at the end makes really no sense and seems desperate to get chills when it really only provides groans.
This B Universal thriller creates a mysterious new monster, an unseen allegedly doctor who decides to play judge and jury when the jury commits travesties of justice. Patric Knowles is a famous detective brought into the case when nobody else can find any clues as to who the guilty party is. "The most notorious case since Jack the Ripper", Sherlock Holmes would say, and while there's no Holmes and Watson, there is a brief appearance by Scottish Mary Gordon, not Mrs. Hudson here from the "Sherlock Holmes" films, but the mother of one of Dr. RX's victims who survived. This is initially intriguing, but quickly stagnates as talk takes over any suspense, giving either clues and suspects which are possibly red herrings. Anne Gwynne, as Knowles's wife, does nothing but fret, while Mantan Moreland and Shemp Howard provide low brow comedy. Other familiar faces pop up in needless roles, and it's surprising that they didn't include Lugosi, Karloff and Chaney in uncredited cameos. It's not hideous and flies by pretty quickly, culminating in a tense chase sequence, but I think most viewers can simply agree that this had been done before but better. The twist at the end makes really no sense and seems desperate to get chills when it really only provides groans.