4/10
A dim-witted re-make
13 November 2017
I'm not entirely convinced that the original Wake In Fright is quite the timeless classic some movie historians deem it to be. Nevertheless, it was atmospheric and haunting, and, if nothing else, remains interesting as a scathing critique of a certain type of toxic Aussie masculinity. So the first thing one has to wonder about this TV re-make is why in up-dating the story they felt the need to convert so many of the key characters from male to female. I've nothing against positive discrimination where it works for the story, or where it makes absolutely no difference. But since masculinity is central to Wake In Fright, it seems rather a strange decision. It dilutes the theme almost to the point where it no longer really asserts itself. And it undermines the drama in other ways too. The original is set in the kind of remote outback town where men massively outnumber women, and that explains some of what happens along the way. In this version it's a considerably bigger regional town, with enough women and suburban amenities to significantly change things. It also doesn't help that they've chosen to make John Grant even more gormless. This is partly Sean Keenan coming across more like a clueless teen than just a city bloke out of his element. But Grant is also infuriatingly spineless, especially in how he submits to alcohol and gambling, even though the pressure to do so is neither dramatised, nor a given. The reckless boozing makes much more sense in the 70s film, shot at a time when macho competitive drinking was still a thing. But is an educated twentysomething not being able to say "no" to another beer really as believable today? They could quite possibly have made it believable, but they didn't. It's just one of the ways in which this production sidesteps the problems that come with up- dating the story. (Like referring to the pokies being pulled out of the RSL - as if that's ever happened!) At best, Wake in Fright is pretty to look at - as is Sean Keenan. But the muddle-headed re-imagining of the story undermines believability and suspense at every turn.
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