Copyright 1956 by Universal-International. New York opening at the Capitol: 21 February 1956. U.S. release: February 1956. U.K. release: 20 February 1956. Australian release: 23 February 1956. Sydney opening at the Lyric. 10,458 feet. 116 minutes.
NOTES: Despite its long running time, Universal sold this film as a "B" in many overseas locations, including Australia and New Zealand. The reason: Aside from Donna Reed, absolutely no star power.
COMMENT: The script is mediocre and distorts the truth in a dull way. The musical numbers are tied together with a feeble romance that wastes the only interesting player in the cast, Donna Reed.
Still, if you like swing — and whose feet don't start tapping to such numbers as "Stompin' at the Savoy" and "One O'Clock Jump"? — this film is a must-see, despite its tired plot by Valentine Davies and its equally tired direction by the same gentleman.
Mr. Davies wrote the screenplay for "The Glenn Miller Story", but he obviously had more dramatic material to work with there.
Furthermore, Miller was not in a position to sue the film's producers if the story they came up with was not to his liking; whereas Benny Goodman is still very much alive. This could account for his life story emerging as a very bland and inoffensive vehicle, especially as Goodman himself recorded this film's soundtrack. The film is a joy to hear but a bore to watch.
OTHER VIEWS: The bland story is the usual tale of the slum kid who makes good. At least it's inoffensive, though the script is remarkably coy as to why Mrs. Goodman doesn't want her Benny to marry a non- Jewish girl.
Still, Miss Reed wears a new gown in every scene and looks absolutely stunning. I suppose that's reason enough. Aside from the jazzy start, Davies the director is wearisomely over-indulgent to Davies the scriptwriter, the pace sluggish, the delivery slow so that not a word of silver dialogue be lost. Luckily, it's the sound track that matters and it's in good hands!
NOTES: Despite its long running time, Universal sold this film as a "B" in many overseas locations, including Australia and New Zealand. The reason: Aside from Donna Reed, absolutely no star power.
COMMENT: The script is mediocre and distorts the truth in a dull way. The musical numbers are tied together with a feeble romance that wastes the only interesting player in the cast, Donna Reed.
Still, if you like swing — and whose feet don't start tapping to such numbers as "Stompin' at the Savoy" and "One O'Clock Jump"? — this film is a must-see, despite its tired plot by Valentine Davies and its equally tired direction by the same gentleman.
Mr. Davies wrote the screenplay for "The Glenn Miller Story", but he obviously had more dramatic material to work with there.
Furthermore, Miller was not in a position to sue the film's producers if the story they came up with was not to his liking; whereas Benny Goodman is still very much alive. This could account for his life story emerging as a very bland and inoffensive vehicle, especially as Goodman himself recorded this film's soundtrack. The film is a joy to hear but a bore to watch.
OTHER VIEWS: The bland story is the usual tale of the slum kid who makes good. At least it's inoffensive, though the script is remarkably coy as to why Mrs. Goodman doesn't want her Benny to marry a non- Jewish girl.
Still, Miss Reed wears a new gown in every scene and looks absolutely stunning. I suppose that's reason enough. Aside from the jazzy start, Davies the director is wearisomely over-indulgent to Davies the scriptwriter, the pace sluggish, the delivery slow so that not a word of silver dialogue be lost. Luckily, it's the sound track that matters and it's in good hands!