The Polish film Pokolenie (1955) was shown in the U.S. with the title "A Generation." It was directed by Andrzej Wajda. (A Generation was Wajda's first directorial effort, and the first of his three World War II films.)
The movie stars Urszula Modrzynska as Dorota--a resistance leader who recruits students to join the resistance during the German occupation of Poland. Stach Mazur (Tadeusz Lomnicki) is a young man who answers the call to resist the occupying army.
Even at this stage of his career, Wadja had talent, and many of the scenes in the movie are memorable. However, some of the plot elements were clearly added to please the censors, because Poland was under Soviet rule by 1955. For example, the movie puts forth Communism as the only form of Polish resistance. Of course, Communists were in the resistance, but so were non-Communists. Ringing speeches about how Poland will be happy and free under Communism are painful to watch, given what we know now. (And, of course, given what Wadja knew in 1955.)
Still, Wadja got this brave and important movie past the censors, and presented us with a film that is definitely worth seeing.
We saw this movie at the marvelous Dryden Theatre at George Eastman House in Rochester. It was shown as part of a Wadja retrospective. It's not a great film, but it's a very good film. It's worth seeing on it's own merits, and definitely worth seeing if you have watched--or plan to watch--Ashes & Diamonds and Kanal. (The other two movies in the World War II trilogy.)
The movie stars Urszula Modrzynska as Dorota--a resistance leader who recruits students to join the resistance during the German occupation of Poland. Stach Mazur (Tadeusz Lomnicki) is a young man who answers the call to resist the occupying army.
Even at this stage of his career, Wadja had talent, and many of the scenes in the movie are memorable. However, some of the plot elements were clearly added to please the censors, because Poland was under Soviet rule by 1955. For example, the movie puts forth Communism as the only form of Polish resistance. Of course, Communists were in the resistance, but so were non-Communists. Ringing speeches about how Poland will be happy and free under Communism are painful to watch, given what we know now. (And, of course, given what Wadja knew in 1955.)
Still, Wadja got this brave and important movie past the censors, and presented us with a film that is definitely worth seeing.
We saw this movie at the marvelous Dryden Theatre at George Eastman House in Rochester. It was shown as part of a Wadja retrospective. It's not a great film, but it's a very good film. It's worth seeing on it's own merits, and definitely worth seeing if you have watched--or plan to watch--Ashes & Diamonds and Kanal. (The other two movies in the World War II trilogy.)