"Anything to get a scare, right?" It must have been a challenge to go about a sequel to a film in which the original cast all appeared to die, but to its credit, 'The Houses October Built 2' – from here on in, THOB2 - actually begins as the earlier instalment ended – with the group of haunted house 'enthusiasts' being buried alive. Pretty soon, the 'five thrill seekers' are free once more.
Like the earlier production, this plays with the idea of found footage, in that it cheats with the concept by apparently including scenes that would have been impossible for the characters to film – but when it helps the flow and heightens the chaotic sense of the grotesque brutality to this extent, it is forgivable.
Like the Blair Witch trilogy before it, THOB2 takes the events from the previous movie and treats them as reality; the YouTube exploits of Zack, Mikey, Bobbie and Jeff have made headline news – and made a star out of the sole female of the group Brandy (Brandy Schaefer). Problem is, this new fame pushes the others to go further into the world of haunted houses and realistic funfair demons than ever before – and Brandy, or 'Coffin Girl' who has attracted 24 million YouTube hits, assuredly wants no part of it. I don't like the way the boys cajole Brandy into the gang again, even considering the pressure they are under from their audience. Before, the group were extreme but likable; now, that appeal has been diminished, although their recklessness proves to be entirely in character. Also, it would be unrealistic if at least one of the gang wasn't reticent about coming for another journey. To help to understand why people enter into this kind of macabre exhibitionism, Brandy meets Dr Margee Kerr, who engages with scary things to help her 'grow'. It wouldn't convince me! Other than that, it is business 'as unusual', as they traverse haunted houses and extreme Halloween attractions much as before. Their travelogue becomes a world where every face is horrifying, around every corner is a new reason to shudder, and fairground horrors become their life. The 'bigger and better' scares (and use of a drone to film them) open things up in the way sequels often strive for, but in turn, events lose some of the grimy intimacy of the first film. The enigmatic Blue Skeleton organisation is still trailing the gang, for reasons that are never clearly stated, other than their notoriety. Throughout, the haunted house network encourages them to 'seek out Hellbent' (a phrase which is more profound than they imagine) as an example of the most extreme experience you can get. Inevitably, when they arrive there, things are not as they seem I thought this was terrific. I'm not sure it topped the weirdness of the first, but Director Bobby Roe certainly tapped into the same vein. My favourite character from the first, the jerky, awful Doll Girl is here briefly and this time there are others like her. As sequels go, this is a good one. But I can't see – now that the main characters have been exposed in such a way – how there can be any more instalments.
Like the earlier production, this plays with the idea of found footage, in that it cheats with the concept by apparently including scenes that would have been impossible for the characters to film – but when it helps the flow and heightens the chaotic sense of the grotesque brutality to this extent, it is forgivable.
Like the Blair Witch trilogy before it, THOB2 takes the events from the previous movie and treats them as reality; the YouTube exploits of Zack, Mikey, Bobbie and Jeff have made headline news – and made a star out of the sole female of the group Brandy (Brandy Schaefer). Problem is, this new fame pushes the others to go further into the world of haunted houses and realistic funfair demons than ever before – and Brandy, or 'Coffin Girl' who has attracted 24 million YouTube hits, assuredly wants no part of it. I don't like the way the boys cajole Brandy into the gang again, even considering the pressure they are under from their audience. Before, the group were extreme but likable; now, that appeal has been diminished, although their recklessness proves to be entirely in character. Also, it would be unrealistic if at least one of the gang wasn't reticent about coming for another journey. To help to understand why people enter into this kind of macabre exhibitionism, Brandy meets Dr Margee Kerr, who engages with scary things to help her 'grow'. It wouldn't convince me! Other than that, it is business 'as unusual', as they traverse haunted houses and extreme Halloween attractions much as before. Their travelogue becomes a world where every face is horrifying, around every corner is a new reason to shudder, and fairground horrors become their life. The 'bigger and better' scares (and use of a drone to film them) open things up in the way sequels often strive for, but in turn, events lose some of the grimy intimacy of the first film. The enigmatic Blue Skeleton organisation is still trailing the gang, for reasons that are never clearly stated, other than their notoriety. Throughout, the haunted house network encourages them to 'seek out Hellbent' (a phrase which is more profound than they imagine) as an example of the most extreme experience you can get. Inevitably, when they arrive there, things are not as they seem I thought this was terrific. I'm not sure it topped the weirdness of the first, but Director Bobby Roe certainly tapped into the same vein. My favourite character from the first, the jerky, awful Doll Girl is here briefly and this time there are others like her. As sequels go, this is a good one. But I can't see – now that the main characters have been exposed in such a way – how there can be any more instalments.