6/10
Not one of the best Tarzans, but watchable!
22 August 2017
Warning: Spoilers
Copyright 8 March 1950 by Sol Lesser Productions, Inc. Released through RKO Radio Pictures. New York opening at the Criterion: 23 June 1950. U.S. release: 18 March 1950. U.K. release: 18 September 1950. Australian release: 25 May 1950. 6,754 feet. 75 minutes.

Alternative title: TARZAN AND THE JUNGLE QUEEN.

SYNOPSIS: Tarzan frees a group of kidnapped girls and brings medical aid to villagers suffering from a strange disease.

NOTES: Number 26 of the 46-picture "Tarzan" series. Lex Barker's second of five outings as Tarzan. Vanessa Brown's only appearance as Jane.

COMMENT: This entry has good elements and bad. For instance, it's great to see Hurd Hatfield, even though his entrance is delayed and his part pans out as not all that large. What's worse, it's sad to hear him struggling with the film's ridiculous dialogue.

Oddly enough, it's way-down-in-the-cast Denise Darcel who seems to be most at home, — despite (or maybe because of) a sarong that seems about as suitable for jungle wear as a Panama hat in Alaska.

Vanessa Brown emerges as a poor man's Jane in every respect. Her strident voice is especially unsuitable for fans used to the soft diction of Maureen O'Sullivan. Arthur Shields over-acts atrociously; the villain is not much chop; and Robert Warwick cuts an unintentionally risible figure as the high priest.

Perhaps we shouldn't come down too hard on the actors. After all, the writers make no attempt to induce credibility in their juvenile plot which remains from go to whoa on a strictly comic-book level. Fortunately, it does introduce a fair amount of fast-moving action, though the climax itself is not as exciting as the earlier scenes with the sinister, foliage-disguised Wadi.

Though obviously cramped by the demands of Lesser's tight budget, Harry Horner's sets appear mildly attractive. True, the compositions are more stylish than Lesser usual, obviously reflecting the skill of ace cameraman Russell Harlan. Lee Sholem's direction reaches its zenith in the action spots, thanks to Tarzan's jumping over the camera and at least one neat, if short, tracking shot through the undergrowth.

A few stock shots from earlier Tarzan entries pop up occasionally, but not as many as you might expect.
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