Stan Getz's Bossa Nova music matches perfectly Alain Delon's melancholic eyes and nostalgic gaze, and suits the busy Paris nightlife in the seventies. Michel Audiard's dialogues are as punchy as always ("Order and disorder are two plagues that threaten humanity. Corruption disgusts me, and virtue gives me chills"). It is the kind of movie where one can hear the pictures and see the music, as Godard would put it.
Review of Death of a Corrupt Man
