5/10
Spoilers follow ...
28 July 2017
Warning: Spoilers
What do we have here then? A Jess Franco vampire Western, shot in Spain on a micro-budget. Lina Romay plays Alice Brown, a journalist who travels to Sh*t City in search of someone called Frank Spencer (Steve Barrymore). He warns her that the town has been taken over by vampires. Spencer's initial voice-over compares the town to an old stage set, and even mentions Universal mummy actor Tom Tyler.

As with all One Shot Productions' collaborations with Franco, this is shot entirely on video and features many outdated digital effects. It plays like an elongated music video from the early eighties. The vampire attacks, dreamed of by a naked sleeping Romay, are as thrilling as they could possibly be under the circumstances. In fact, I'd go as far as saying that stutter-motion punk-vampires baring their fangs under a cloud of harsh video lighting are far more effective in their own way, than an over-priced CGI bloodbath. Stylish and sophisticated it isn't, but there are raw and savage chills here. And then, with typical Franco unevenness, this is followed by an intimate shared shaving scene that achieves nothing and goes on long enough to bore rigid even the most committed viewer (although I have seen reviews that touch on this scene as a highlight). The delirious riot of sensuality that can accompany the vampiric act can be a very evocative thing to explore, but really, was there really no-one around to trim this segment (no pun intended)? Other scenes, like the two half-naked vampire lesbians enjoying each other, to the sound of pouring rain and the relentless windscreen wipers on Romay's (clearly static) car, are strangely effective and hallucinogenic – especially as their lovemaking is next to a window letting in glaring sunshine. Somehow, it works.

Other scenes, like Romay being arrested in her car by a voice-over, are definite one shot productions.

When she is eventually seduced by the two, they move in an eerie and unnatural crab-like contortions. The resulting scenes achieve little than remind us that Romay is a good 25 years older than her attackers.

Another riotous mixed bag from latter-day Uncle Jess. There are good scenes and moments here, but you may have to fast-forward through the static erotica to find them.
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