Happy End (2017)
7/10
Not Haneke's best but still manages to engage with cultural relevance and authenticity
1 July 2017
Warning: Spoilers
I'm a fan of Michael Haneke, so I was looking forward to his latest film. From his previous films and now this one, he is clearly a filmmaker interested in surveillance; the film opens and closes with shots from a phone screen surveying 'crime' in one way or another. A filmmaker also concerned with social issues, this film is about a disjointed family in crisis with a backdrop of the European refugee crisis. Join that with the modern way to keep everyone 'connected' with technology (social media or smartphones) you can perhaps read what Haneke is trying to say about European Identity. There are a lot of scenes that drag and the narrative is unfortunately disconnected forcing the audience to join dots so 'Happy End' had the potential to be a lot more.
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