Back in 1966, a tragedy occurred at the University of Texas. A crazed gunman atop the clock tower began opening fire on folks down below...killing about a dozen folks and injuring many more during this 90 minute spree. This film is the second I have seen about it...and it's very different from "The Deadly Tower", a made for TV movie from 1975. "Tower" tells the story using voice actors and rotoscoped* animations of the actors. The voice actors read testimony by a variety of survivors who witnessed the incident. There are also a few folks who talk about it without the use of animation as well as some archival footage from the time. And, here's what is really interesting...instead of focusing on the killer as the previous film did, this new film deliberately avoided mentioning him or giving any attention to him personally. This was a wise decision and really showed respect for the man's many victims. Instead, it focused on the folks who risked their lives that day--who ran out to help the victims.
Overall, it was a compelling story told in an unusual manner by Keith Maitland. Well worth seeing...especially since some folks really rose to the occasion that day and proved that within tragedy was some humanity. Just be sure, if you do watch, that you keep some Kleenex handy...just in case.
*Rotoscoping is a simple technique for animation. A scene is filmed live and the drawings are made atop the original pictures. It's been around since at least 1915 when the Fleischer Brothers used it in their animated films.
Overall, it was a compelling story told in an unusual manner by Keith Maitland. Well worth seeing...especially since some folks really rose to the occasion that day and proved that within tragedy was some humanity. Just be sure, if you do watch, that you keep some Kleenex handy...just in case.
*Rotoscoping is a simple technique for animation. A scene is filmed live and the drawings are made atop the original pictures. It's been around since at least 1915 when the Fleischer Brothers used it in their animated films.