Bigger, faster, crazier — that's the motto of the "Fast & Furious" franchise six films in. If you thought the action, scale and stunts were off the charts in "Fast Five," prepare to have your mind blown by "Fast & Furious 6."
The previous films were an acceleration, and the series hit full throttle with "Fast Five." The road was open and endless for Universal, and returning writer Chris Morgan and director Justin Lin. What they opt to do in "F&F6" is bend the limits of reality to their will. From the initial London chase to a highway tank sequence to the grand finale, which involves a massive cargo plane, this is an action movie jacked up on steroids. In fact, there are a couple references to Marvel "Avengers" characters — a not-so-subliminal suggestion that Universal would like you to think of Dominic Toretto's crew/family as a team of superheroes.
The trouble is for every "wow!" moment there are twice the number of "what?" moments. The action is so ludicrous that you lose all sense of what's happening. They're like little blackout moments as you drink more and more of the movie's high-octane Kool-Aid.
Morgan pulls together a perfectly viable plot. Dom's (Vin Diesel) presumed deceased former lover, Letty (Michelle Rodriguez) has been spotted in association with a criminal mastermind named Owen Shaw (Luke Evans) whose ex-military crew is essentially the shadow image of our heroes. Dobbs (Dwayne Johnson) presents this info to Dom in hopes that it'll persuade Dom into doing him favor in taking Shaw down. It naturally works, and the crew must put a hiatus on their quiet life spending all the cash they stole in the last film; when the patriarch of the family calls, you answer.
The movie doubles down on the notion of the crew as family. Shaw is supposed to be the antithesis. He doesn't care about allegiances but about precision and planning. He's cold and calculated, whereas the "family" is warm and spontaneous. It's cliché, but at least time is spent on the characters. There is only one newbie in former MMA fighter Gina Carano as Hobbs' new right hand, meaning the character time is invested in the existing characters, which is good, though the script doesn't pierce beyond the surface traits we're already familiar with.
It also bears mentioning that at one point the script reveals a twist that's solely for the purpose of a twist. This "surprise" makes no sense and has no actual bearing on what happens in the film. Morgan wanted a surprise moment to keep things interesting and it's a nice moment — but then you realize it's actually meaningless and changes nothing. Another example of how flash without substance is the M.O. of this series. You have to like flash for the sake of flash to be a big fan.
Of course any scene in which an engine of any kind is not running only matters so much in these films, but "Fast & Furious 6" will start to really separate out the pure action junkies who've been hooked on this series from those who prefer some plausibility and gravity —literally and figuratively — in their blockbusters. Lin's sensibilities would probably be of more use in a sci-fi or fantasy movie where he could break all laws of common sense and completely get away with it. In this movie, depending on your taste, it will either get you stoked or spoil the moment.
One could argue that this franchise has found a niche in larger-than-life action movies — that there's a viable space for films that maintain the trappings of the real world but play by the rules of a superhero movie. That's fair, but in many ways by blowing the ceiling off what's possible, they've created another ceiling. If anything is possible, at some point we will no longer be surprised by the impossible. The films would be better served by maintaining some thread of connection to the laws of physics, then when they broke them a little, it would have a bigger impact. "Fast Five" did this well and it's a shame this movie takes such a tremendous leap in believability.
Nevertheless, there's an undeniable adrenaline rush that comes with Lin's style of direction and the size and stature of the stunts and action sequences. It's three-fold true in this entry. That's the kind of thrill that maintains a sufficient baseline for enjoying these moves.
~Steven C
Thanks for reading! Visit Movie Muse Reviews for more.
The previous films were an acceleration, and the series hit full throttle with "Fast Five." The road was open and endless for Universal, and returning writer Chris Morgan and director Justin Lin. What they opt to do in "F&F6" is bend the limits of reality to their will. From the initial London chase to a highway tank sequence to the grand finale, which involves a massive cargo plane, this is an action movie jacked up on steroids. In fact, there are a couple references to Marvel "Avengers" characters — a not-so-subliminal suggestion that Universal would like you to think of Dominic Toretto's crew/family as a team of superheroes.
The trouble is for every "wow!" moment there are twice the number of "what?" moments. The action is so ludicrous that you lose all sense of what's happening. They're like little blackout moments as you drink more and more of the movie's high-octane Kool-Aid.
Morgan pulls together a perfectly viable plot. Dom's (Vin Diesel) presumed deceased former lover, Letty (Michelle Rodriguez) has been spotted in association with a criminal mastermind named Owen Shaw (Luke Evans) whose ex-military crew is essentially the shadow image of our heroes. Dobbs (Dwayne Johnson) presents this info to Dom in hopes that it'll persuade Dom into doing him favor in taking Shaw down. It naturally works, and the crew must put a hiatus on their quiet life spending all the cash they stole in the last film; when the patriarch of the family calls, you answer.
The movie doubles down on the notion of the crew as family. Shaw is supposed to be the antithesis. He doesn't care about allegiances but about precision and planning. He's cold and calculated, whereas the "family" is warm and spontaneous. It's cliché, but at least time is spent on the characters. There is only one newbie in former MMA fighter Gina Carano as Hobbs' new right hand, meaning the character time is invested in the existing characters, which is good, though the script doesn't pierce beyond the surface traits we're already familiar with.
It also bears mentioning that at one point the script reveals a twist that's solely for the purpose of a twist. This "surprise" makes no sense and has no actual bearing on what happens in the film. Morgan wanted a surprise moment to keep things interesting and it's a nice moment — but then you realize it's actually meaningless and changes nothing. Another example of how flash without substance is the M.O. of this series. You have to like flash for the sake of flash to be a big fan.
Of course any scene in which an engine of any kind is not running only matters so much in these films, but "Fast & Furious 6" will start to really separate out the pure action junkies who've been hooked on this series from those who prefer some plausibility and gravity —literally and figuratively — in their blockbusters. Lin's sensibilities would probably be of more use in a sci-fi or fantasy movie where he could break all laws of common sense and completely get away with it. In this movie, depending on your taste, it will either get you stoked or spoil the moment.
One could argue that this franchise has found a niche in larger-than-life action movies — that there's a viable space for films that maintain the trappings of the real world but play by the rules of a superhero movie. That's fair, but in many ways by blowing the ceiling off what's possible, they've created another ceiling. If anything is possible, at some point we will no longer be surprised by the impossible. The films would be better served by maintaining some thread of connection to the laws of physics, then when they broke them a little, it would have a bigger impact. "Fast Five" did this well and it's a shame this movie takes such a tremendous leap in believability.
Nevertheless, there's an undeniable adrenaline rush that comes with Lin's style of direction and the size and stature of the stunts and action sequences. It's three-fold true in this entry. That's the kind of thrill that maintains a sufficient baseline for enjoying these moves.
~Steven C
Thanks for reading! Visit Movie Muse Reviews for more.