"The Last Word" (2017 release; 108 min.) brings the story of an elderly woman, Harriett. As the movie opens, we get a montage of pictures from Harriet's baby days all the way to today as the opening credits roll by. We then get to know Harriett, as she is at home, bored and unsure what to do with herself. Her interactions with staff and the hairdresser are anything but nice. Then one day she see an obituary in the newspaper, and panic-stricken, she wonders how she'll be remembered. She takes matters in her own hands and engages Anne, the newspaper writer responsible for these obituaries, sending her off to meet a list of "friends and family" that Harriett gives her. Turns out that nobody on that list has anything nice to day about Harriett... At this point we're 15 min. into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this movie is directed by Mark Pellington, best known for his work in the music industry (he directed the "U2 3D" movie, among others). Here he seemingly goes in a completely different direction, how a controlling, not-so-nice older, rich woman deals with how people may remember her after her death. If it sounds a bit macabre, well it is. But worse, unfortunately for the viewer, the movie's plot is so utterly predictable, that there are very few surprises, if at all. "She puts the bitch in obituary!", complains Anne to her boss at the Bristol Gazette. But very thankfully, at least from my perspective, the movie does find some redemption because, as it turns out, Pellington hasn't abandoned his music roots entirely, and in fact a significant part of the movie relates to a (fictitious) radio station called KOXA, "independent music for independent minds". Hence we get treated to a TON of fabulous music (The Regrettes, Witch, the Kinks, Salty Dog, and many, many more). The movie's other winning formula is of course the two lead performers, Shirley MacLaine (as Harriett, MacLaine is now a crisp 82 yrs. young), and Amanda Seyfried (as Anne), and both also executive-produced the film. Anne Heche has a small role as Harriett's daughter. Bottom line: this is an okay and entertaining movie, in the laziest kind of way, but the utter predictability undermines its strength.
"The Last Word" premiered to positive press (mostly for MacLaine's spunky performance) at the Sundance Film Festival in January, and it opened at my local art-house theater here in Cincinnati this past weekend. The Tuesday evening screening where I saw this at was attended nicely for a weeknight. The (mostly older) audience absolutely LOVED it, laughing and hollering on many occasions. If you are in the mood for an okay funny if mostly predictable movie starring the iconic Shirley MacLaine in a role she clearly relishes, you might want to give to a try, be it in the theater, on VOD, or eventually on DVD/Blu-ray.
Couple of comments: this movie is directed by Mark Pellington, best known for his work in the music industry (he directed the "U2 3D" movie, among others). Here he seemingly goes in a completely different direction, how a controlling, not-so-nice older, rich woman deals with how people may remember her after her death. If it sounds a bit macabre, well it is. But worse, unfortunately for the viewer, the movie's plot is so utterly predictable, that there are very few surprises, if at all. "She puts the bitch in obituary!", complains Anne to her boss at the Bristol Gazette. But very thankfully, at least from my perspective, the movie does find some redemption because, as it turns out, Pellington hasn't abandoned his music roots entirely, and in fact a significant part of the movie relates to a (fictitious) radio station called KOXA, "independent music for independent minds". Hence we get treated to a TON of fabulous music (The Regrettes, Witch, the Kinks, Salty Dog, and many, many more). The movie's other winning formula is of course the two lead performers, Shirley MacLaine (as Harriett, MacLaine is now a crisp 82 yrs. young), and Amanda Seyfried (as Anne), and both also executive-produced the film. Anne Heche has a small role as Harriett's daughter. Bottom line: this is an okay and entertaining movie, in the laziest kind of way, but the utter predictability undermines its strength.
"The Last Word" premiered to positive press (mostly for MacLaine's spunky performance) at the Sundance Film Festival in January, and it opened at my local art-house theater here in Cincinnati this past weekend. The Tuesday evening screening where I saw this at was attended nicely for a weeknight. The (mostly older) audience absolutely LOVED it, laughing and hollering on many occasions. If you are in the mood for an okay funny if mostly predictable movie starring the iconic Shirley MacLaine in a role she clearly relishes, you might want to give to a try, be it in the theater, on VOD, or eventually on DVD/Blu-ray.