8/10
Very strange and haunting
2 March 2017
Warning: Spoilers
One can always depend on French cult filmmaker Jean Rollin to come up with something bizarre and different -- and this quirky excursion into sci-fi territory certainly fits that particular outre bill quite nicely. The gorgeous Brigitte Lahaie delivers a fine and affecting performance as Elysabeth, a young woman who has been stricken with a peculiar mental disorder that's causing her to slowly, but surely lose both her identity and memories. Elysabeth finds herself trapped in an oppressive high-rise clinic building with a bunch of other people suffering from the same malady.

Rollin relates the intriguing premise at a deliberate pace, ably crafts a compelling enigmatic mood, wrings a good deal of pathos from the offbeat premise (the final image in particular is simply heartbreaking), makes good use of cold urban structures and landscapes, astutely captures the existential horror of being reduced to a mindless vegetable state, and, naturally, doesn't skimp on either the yummy female nudity or arousing soft-core sex. The sound acting by the capable cast holds everything together: Ravishing redhead Dominique Journet as the forlorn Veronique, Vincent Gardere as the smitten Robert, Bernard Papineau as the chilly Dr. Francis, Rachel Mhas as equally aloof assistant Solange, and Cathy Stewart as the needy Catherine. Kudos are also in order for Philippe Brejean's droning electronic score and Jean-Claude Couty's stark, yet still stunning cinematography. An interesting curio.
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