Murder in Harlem (1934)
** 1/2 (out of 4)
A black watchman is doing his rounds when he stumbles across the body of a white woman. He calls the police but he's eventually arrested for the crime. Soon a lawyer is on his case trying to find out who was really behind the crime.
MURDER IN HARLEM is a fairly entertaining race film from director Oscar Micheaux who was of course the leading black director during this period. A lot of times the race films from this era didn't feature any white people but that's not the case here as the director was allowed a pretty good cast as well as an interesting story to work with.
Obviously, the director was still hampered with a very low-budget that didn't allow much technical advantages. The cinematography is the biggest issue here and especially during a few scenes where the camera zooms towards the actors, cuts off the top of their heads and then has to re-arrange the shot. Of course, normally you'd be asking for a second take but that wasn't possible when you're working with this type of budget.
The one big advantage this film had over several of the early sound films from Micheaux is that the performances were very good. Dorothy Van Engle gets most of the praise for her performance as the girlfriend and rightfully so as she comes across quite strong and certainly helps carry the picture. Clarence Brooks, Andrew Bishop and Alec Lovejoy all add very good support.
MURDER IN HARLEM is a very good example of a race movie that could have been so much more had it had the budget and technical advantages of what was going on in Hollywood. As it stands, the film is certainly very much worth watching but one can only think of what it could have been.
** 1/2 (out of 4)
A black watchman is doing his rounds when he stumbles across the body of a white woman. He calls the police but he's eventually arrested for the crime. Soon a lawyer is on his case trying to find out who was really behind the crime.
MURDER IN HARLEM is a fairly entertaining race film from director Oscar Micheaux who was of course the leading black director during this period. A lot of times the race films from this era didn't feature any white people but that's not the case here as the director was allowed a pretty good cast as well as an interesting story to work with.
Obviously, the director was still hampered with a very low-budget that didn't allow much technical advantages. The cinematography is the biggest issue here and especially during a few scenes where the camera zooms towards the actors, cuts off the top of their heads and then has to re-arrange the shot. Of course, normally you'd be asking for a second take but that wasn't possible when you're working with this type of budget.
The one big advantage this film had over several of the early sound films from Micheaux is that the performances were very good. Dorothy Van Engle gets most of the praise for her performance as the girlfriend and rightfully so as she comes across quite strong and certainly helps carry the picture. Clarence Brooks, Andrew Bishop and Alec Lovejoy all add very good support.
MURDER IN HARLEM is a very good example of a race movie that could have been so much more had it had the budget and technical advantages of what was going on in Hollywood. As it stands, the film is certainly very much worth watching but one can only think of what it could have been.