"Hide and Go Shriek" follows a group of high-schoolers who have just graduated. Naturally, to celebrate their adulthood, they decide to spend the evening throwing a small party in one of the kids' father's furniture store after hours. But a cross-dressing killer has arrived to crash their party game of hide and go seek.
Drawing on pre-established slasher traditions that were honed by many films in the early–mid-eighties, "Hide and Go Shriek" doesn't really get any points for originality. The setup is predictable, and the furniture store setting is reminiscent of the shopping mall backdrop in "The Initiation" or even "Chopping Mall." Kids have sex, they are effectually murdered, and a jarring synth score punctuates the deaths. What the film does have that distinguishes it a bit is the gender-bending killer, which, save a few rare instances, does mean the film was a bit ahead of its time. Director Skip Schoolnik plays with the killer's image effectively, providing eerie fleeting shots of a masculine figure in a negligee running through the store; the prologue of the film shows the killer being raped, which sets the stage. At other times, the killer appears in men's clothing, donning a blonde wig stolen from store mannequins. Each of the images are well composed and eerily rendered.
The acting is a mixed bag, and some less-than-stellar dialogue doesn't exactly help matters, but by eighties slasher standards, the performances here are far from the worst. In true slasher fashion, the gore is ramped up here, with some brutal and inventive death scenes. As is the case with the majority of the film, the last act isn't particularly fresh or interesting, but the reveal at the end is definitely unorthodox in the slasher world.
Overall, "Hide and Go Shriek" is not bad as far as eighties slasher films go, especially those from the latter half of the decade, a time when the well seemed to have run dry. The film doesn't offer much in way of surprises, but it is an entertaining and mostly well made film. The scuzzy, gender-bending villain who shifts from guise to guise is what really makes the film stand out, and is where most all of its tension and intrigue is generated from. 7/10.
Drawing on pre-established slasher traditions that were honed by many films in the early–mid-eighties, "Hide and Go Shriek" doesn't really get any points for originality. The setup is predictable, and the furniture store setting is reminiscent of the shopping mall backdrop in "The Initiation" or even "Chopping Mall." Kids have sex, they are effectually murdered, and a jarring synth score punctuates the deaths. What the film does have that distinguishes it a bit is the gender-bending killer, which, save a few rare instances, does mean the film was a bit ahead of its time. Director Skip Schoolnik plays with the killer's image effectively, providing eerie fleeting shots of a masculine figure in a negligee running through the store; the prologue of the film shows the killer being raped, which sets the stage. At other times, the killer appears in men's clothing, donning a blonde wig stolen from store mannequins. Each of the images are well composed and eerily rendered.
The acting is a mixed bag, and some less-than-stellar dialogue doesn't exactly help matters, but by eighties slasher standards, the performances here are far from the worst. In true slasher fashion, the gore is ramped up here, with some brutal and inventive death scenes. As is the case with the majority of the film, the last act isn't particularly fresh or interesting, but the reveal at the end is definitely unorthodox in the slasher world.
Overall, "Hide and Go Shriek" is not bad as far as eighties slasher films go, especially those from the latter half of the decade, a time when the well seemed to have run dry. The film doesn't offer much in way of surprises, but it is an entertaining and mostly well made film. The scuzzy, gender-bending villain who shifts from guise to guise is what really makes the film stand out, and is where most all of its tension and intrigue is generated from. 7/10.