I won't repeat all the justifiably outraged comments this film deserves by distorting not only the basic facts of the Genovese murder but also perpetrating misguided fiction. If you decide to make a movie based on any *real* case, at least do basic research. Even before "The Witness" (an amazing film) was released it was well-known that the Times had fluffed the apathy angle to stoke sales.
No, what makes Puk Grasten's film irredeemable is it's utter lack of a story or any compelling (strike that --- NON-repellent), even interesting characters. These fantasy "neighbors" are all given stereotypical bad-sitcom dilemmas and we watch them yell, kick, scream, and drag for the longest 85-minute run-time I've endured this year. None of the subplots has any bearing on the crime (you could be watching a really dull Law and Order) and Grasten falls back on primitive symbolism such as the innocent all-seeing nature of the child vs. jaded self-absorbed adulthood.
Maybe "37" is what it appears to be --- a glib, inauthentic, attention-seeking morality-play payday. But if "37" *is* a sincere attempt at making a meaningful or engaging film, its dismal failure doesn't make it any less a waste of anyone's time.
No, what makes Puk Grasten's film irredeemable is it's utter lack of a story or any compelling (strike that --- NON-repellent), even interesting characters. These fantasy "neighbors" are all given stereotypical bad-sitcom dilemmas and we watch them yell, kick, scream, and drag for the longest 85-minute run-time I've endured this year. None of the subplots has any bearing on the crime (you could be watching a really dull Law and Order) and Grasten falls back on primitive symbolism such as the innocent all-seeing nature of the child vs. jaded self-absorbed adulthood.
Maybe "37" is what it appears to be --- a glib, inauthentic, attention-seeking morality-play payday. But if "37" *is* a sincere attempt at making a meaningful or engaging film, its dismal failure doesn't make it any less a waste of anyone's time.