6/10
Shaw Brothers story suffers from having too much plot
4 December 2016
Warning: Spoilers
THE SWORD STAINED WITH ROYAL BLOOD is another outing for director Chang Cheh and his Venoms cast, but this one's a little different to the rest. It's based on a famous wuxia novel by Louis Cha which has been filmed plenty of times in Hong Kong over the years, so the plotting is much more dense than usual and, dare I say it, a bit disjointed. Phillip Kwok plays a loyalist hero whose discovery of the skeleton of a famous adventurer named the Golden Snake kicks off a story of intrigue, suspense, and murder.

The only real problem this film has is with the writing, so unfortunately it's quite a dominant one. There's too much plot for the running time. It starts off okay, with some particularly great and memorable scenes in the cave with the skeleton and the booby-trapped chest. Kwok dominates the screen with his bravado (one of the reasons I love the guy, the other being his excellent fighting form) and all goes pretty well until the second half, where the story is bogged down by having too many characters (including the extraneous mother role) and interminable flashbacks which really slow down the momentum of the present-day storyline.

It's a pity, because THE SWORD STAINED WITH ROYAL BLOOD has all of the trademarks of the Shaw Brothers studio at its very best. Cheh directs with class and professionalism and the film looks fantastic, a good mix between the clean and bright Shaw martial arts films of the 1970s and the more atmospheric, horror and fantasy-tinged Shaws of the 1980s. He's also assembled a fantastic all-star cast, including roles for rival Venoms Wang Li, Chiang Sheng, and Lu Feng, alongside popular actor Chan Shen and actresses Wen Hsueh-Erh (very convincing as a spoilt brat), Ching Li, and Kara Hui. I was a little sore when I realised that Chiang Sheng and Lu Feng have quite minor henchman roles here and don't get to do very much until the climax.

As for the action, it's very good as always, although there's less of it than usual, particularly in the first half. Cheh goes for the gory bloodshed approach here with some limb-lopping shocks and surprises, but the only real large-scale action is at the very end. After a few solid displays of skills and styles, the last fifteen minutes is a rip-roaring and madcap display of abilities and one vs. many madness, and it manages to reinvigorate the story and end it on a real high.
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