"Night Owls" is almost entirely a two-character play acted out (by Adam Pally and Rosa Salazar) over some ninety screen minutes in and around a millionaire's home while the rich guy and his family aren't around. I won't give away the details of this peculiar scenario. I will say, however, that this is one of the most blatant examples I have ever seen of a script and story orchestrated (and poorly at that) to manipulate an unlikely romantic partnering and then to inspire the audience to give a crap about the principles involved.
Gotta say to ya Director/Writer Charles Hood and co-author Seth Goldsmith, with what you've attempted to manufacture in "Owls" you guys have given us two spectacularly sad people and then expected that we as an audience would root for them to get together. And then what? Become a spectacularly sad couple?
I was just never moved to care at all. Or, more fittingly, "give a hoot".
Gotta say to ya Director/Writer Charles Hood and co-author Seth Goldsmith, with what you've attempted to manufacture in "Owls" you guys have given us two spectacularly sad people and then expected that we as an audience would root for them to get together. And then what? Become a spectacularly sad couple?
I was just never moved to care at all. Or, more fittingly, "give a hoot".