Set in the period just after the Civil War, "The Undefeated" pits ex-Union officer John Wayne against ex-Confederate officer Rock Hudson in an amiable, if uneven, big-budget western. Hudson, as Colonel James Langdon, leaves his ancestral home after the defeat of the Confederacy and leads his family and friends southwards on a trek to find a new home in Emperor Maximilian's Mexico. Meanwhile, Colonel John Henry Thomas, played by Wayne, gathers his ex-army buddies and endeavors to round up and sell horses to the U.S. Army. The two men and their followers meet up in Northern Mexico and find themselves embroiled in the struggle between French-backed supporters of Maximilian and Mexican nationalists who back Benito Juarez. The resulting film, directed by Andrew V. McLaglen, is a predictable western with enough action and friendly verbal sparring between the former battlefield enemies to entertain for the two-hour running time.
Besides Wayne and Hudson, the cast benefits from such veteran western stalwarts as Bruce Cabot, Ben Johnson, Paul Fix, Harry Carey Jr., John Agar, and Dub Taylor. However, the film's most outstanding assets are a fine musical score by Hugo Montenegro and exceptional cinematography by William H. Clothier; Clothier captures sweeping vistas of northern Mexico, a herd of galloping horses, mounted cavalry advancing across battlefields, and horse-drawn wagons fording a river that enhance the visual spectacle of "The Undefeated."
Unfortunately, the film falters during a silly mass fist fight between the Northerners and Southerners, and the anachronistic romance between a Native American scout and Langdon's daughter creates a time warp; the pairing of a Southern white woman with a Native American in the days after the fall of the Confederacy is pure fantasy. Well coiffed and made-up ladies in formal French gowns dining on make-shift tables outside their covered wagons is also a stretch of credibility; no dust or grime intrudes on their frontier life. The friendly bonding between the former adversaries Langdon and Thomas and their followers is equally unlikely, and, although Wayne and Hudson make strange bedfellows, they work well together. While not among the landmark westerns of Wayne's career, "The Undefeated," elevated by Clothier's outstanding cinematography, Montenegro's score, and a supporting cast of familiar western faces, is solid entertainment and well worth discovering or re-discovering.
Besides Wayne and Hudson, the cast benefits from such veteran western stalwarts as Bruce Cabot, Ben Johnson, Paul Fix, Harry Carey Jr., John Agar, and Dub Taylor. However, the film's most outstanding assets are a fine musical score by Hugo Montenegro and exceptional cinematography by William H. Clothier; Clothier captures sweeping vistas of northern Mexico, a herd of galloping horses, mounted cavalry advancing across battlefields, and horse-drawn wagons fording a river that enhance the visual spectacle of "The Undefeated."
Unfortunately, the film falters during a silly mass fist fight between the Northerners and Southerners, and the anachronistic romance between a Native American scout and Langdon's daughter creates a time warp; the pairing of a Southern white woman with a Native American in the days after the fall of the Confederacy is pure fantasy. Well coiffed and made-up ladies in formal French gowns dining on make-shift tables outside their covered wagons is also a stretch of credibility; no dust or grime intrudes on their frontier life. The friendly bonding between the former adversaries Langdon and Thomas and their followers is equally unlikely, and, although Wayne and Hudson make strange bedfellows, they work well together. While not among the landmark westerns of Wayne's career, "The Undefeated," elevated by Clothier's outstanding cinematography, Montenegro's score, and a supporting cast of familiar western faces, is solid entertainment and well worth discovering or re-discovering.