I don't know much about Oscar Wilde the man. Instead, I just know him through his works. This film was on Turner Classic Movie's "Summer Under the Stars" honoring Ralph Richardson recently, even though Ralph Richardson was a supporting player. Instead this is the only film I can remember in which Robert Morley stars, and in the title role, and he did an excellent job.
The film starts out as rather a love story between Oscar Wilde and Lord Alfred Douglas, with them meeting at an opening of "Lady Windemere's Fan", having what could be considered a romantic exchange of words, and then would not have likely seen each other again save the fact that Lord Douglas was being blackmailed by an unsavory character over some letters that he wrote to another man. Not knowing what to do he contacts Wilde. Wilde comes to Douglas' rooms and tells Douglas to say nothing. When the blackmailer arrives, Wilde humorously impersonates a member of Scotland Yard and threatens the blackmailer with prison. The blackmailer scurries off, scared to death. And from that point the Wilde/Douglas friendship/romance begins.
England did not have a production code in the strict sense that America did at the time, which dealt with all kinds of things besides sex. However, the film has Wilde claiming - and even seeming to believe - that he is just the dearest friend of Douglas. During his friendship with Douglas he makes the acquaintance of other young men, with the film insinuating that they are gay. They meet in groups, often in public places, and the rumors begin to fly. These rumors get back to the Marquis of Queensberry, Douglas' father, who is a brute beast and is determined to get Wilde away from his son one way or another.
What starts out as the trial of Queensberry for libel against Wilde turns into a trial of Wilde for the vague charge of indecency, which, from what I could gather, was not for a particular act, but for an overall lifestyle. How strange that in Victorian England you could be sent to jail for either libel (a civil crime in America) or just overall indecency - what you were, not a specific act.
Morley gives a very sensitive portrayal of a man who apparently is surprised that he might be gay, and it takes going to trial to make him really think about it. John Neville as Douglas can be sensitive and tender to Wilde, reckless in word and deed, and vindictive when it comes to dear old dad. Morley's Wilde seems blind to the "angry son" side of Douglas until it is too late. Phyllis Calvert does not get much screen time, but as Wilde's wife she comes across as a sweet woman who loves Oscar come what may. Ralph Richardson as the prosecuting attorney brings the trial scenes to life, although his constant opining in open court, trying to prejudice the jury, would never be allowed in courts today.
Dennis Price plays Robert Ross, the stalwart friend of Wilde who offers both advice and encouragement. How surprised I was to see Gregory Ratoff, a Russian immigrant who often played buffoonish executives and agents in American films, was the director of this sensitive character study and drama.
I'd really recommend this one. The acting is excellent and it is a rare chance to see Robert Morley in a starring role that required a great deal of range.
The film starts out as rather a love story between Oscar Wilde and Lord Alfred Douglas, with them meeting at an opening of "Lady Windemere's Fan", having what could be considered a romantic exchange of words, and then would not have likely seen each other again save the fact that Lord Douglas was being blackmailed by an unsavory character over some letters that he wrote to another man. Not knowing what to do he contacts Wilde. Wilde comes to Douglas' rooms and tells Douglas to say nothing. When the blackmailer arrives, Wilde humorously impersonates a member of Scotland Yard and threatens the blackmailer with prison. The blackmailer scurries off, scared to death. And from that point the Wilde/Douglas friendship/romance begins.
England did not have a production code in the strict sense that America did at the time, which dealt with all kinds of things besides sex. However, the film has Wilde claiming - and even seeming to believe - that he is just the dearest friend of Douglas. During his friendship with Douglas he makes the acquaintance of other young men, with the film insinuating that they are gay. They meet in groups, often in public places, and the rumors begin to fly. These rumors get back to the Marquis of Queensberry, Douglas' father, who is a brute beast and is determined to get Wilde away from his son one way or another.
What starts out as the trial of Queensberry for libel against Wilde turns into a trial of Wilde for the vague charge of indecency, which, from what I could gather, was not for a particular act, but for an overall lifestyle. How strange that in Victorian England you could be sent to jail for either libel (a civil crime in America) or just overall indecency - what you were, not a specific act.
Morley gives a very sensitive portrayal of a man who apparently is surprised that he might be gay, and it takes going to trial to make him really think about it. John Neville as Douglas can be sensitive and tender to Wilde, reckless in word and deed, and vindictive when it comes to dear old dad. Morley's Wilde seems blind to the "angry son" side of Douglas until it is too late. Phyllis Calvert does not get much screen time, but as Wilde's wife she comes across as a sweet woman who loves Oscar come what may. Ralph Richardson as the prosecuting attorney brings the trial scenes to life, although his constant opining in open court, trying to prejudice the jury, would never be allowed in courts today.
Dennis Price plays Robert Ross, the stalwart friend of Wilde who offers both advice and encouragement. How surprised I was to see Gregory Ratoff, a Russian immigrant who often played buffoonish executives and agents in American films, was the director of this sensitive character study and drama.
I'd really recommend this one. The acting is excellent and it is a rare chance to see Robert Morley in a starring role that required a great deal of range.