I see that this show has divided opinions. Personally, I love it.
Season one starts with the funeral of Cathy's husband and each of the first six episodes are scattered through the next year at Cathy's house and follow her and her family. The relationships are beautifully observed with delicate writing and fine acting.
At the centre is Cathy (Lesley Manville) and Michael (Peter Mullan) whose will it/won't it relationship is developed with aching slowness and the depth of emotion is so contained that it's almost all in the smallest detail of the performance - glances and smiles, hope and frustration. There's a temptation to seek Cathy as passive and put-upon, but she has the measure of all the people around her and she deals with them on her own terms. She's no one's fool. Michael, meanwhile, is totally lovelorn but incapable of action.
Then there's Kelly. Kelly is brilliant. She's totally, hopelessly daft but as the show unrolls she's the one who deepens most - her relationship with her mother (in episode 3) and her conversation with foxes (episode 5) are some of the show's highlights. There's a bit in episode five where she asks Cathy if she's laughing at her or with her and, while we might have laughed at Kelly earlier in the series, there's no doubt we're laughing with her now - it's a very nice piece of writing and performance. Lisa McGrillis manages to be both maddeningly irritating and sweetly innocent in the same moment.
The supporting characters are also excellent - Pauline is tooth- achingly annoying and yet believably damaged, Derek is hopeless, Jason is useless and Maureen and Reg - Cathy's parents-in-law - are fantastically dysfunctional and grumpy.
Normally I like my comedy a bit more in your face than Mum but the quality of the performance and writing really raises this to another level. It's a show I find myself grinning broadly at from the opening scenes to the closing credits. I hope there'll be more.
Season one starts with the funeral of Cathy's husband and each of the first six episodes are scattered through the next year at Cathy's house and follow her and her family. The relationships are beautifully observed with delicate writing and fine acting.
At the centre is Cathy (Lesley Manville) and Michael (Peter Mullan) whose will it/won't it relationship is developed with aching slowness and the depth of emotion is so contained that it's almost all in the smallest detail of the performance - glances and smiles, hope and frustration. There's a temptation to seek Cathy as passive and put-upon, but she has the measure of all the people around her and she deals with them on her own terms. She's no one's fool. Michael, meanwhile, is totally lovelorn but incapable of action.
Then there's Kelly. Kelly is brilliant. She's totally, hopelessly daft but as the show unrolls she's the one who deepens most - her relationship with her mother (in episode 3) and her conversation with foxes (episode 5) are some of the show's highlights. There's a bit in episode five where she asks Cathy if she's laughing at her or with her and, while we might have laughed at Kelly earlier in the series, there's no doubt we're laughing with her now - it's a very nice piece of writing and performance. Lisa McGrillis manages to be both maddeningly irritating and sweetly innocent in the same moment.
The supporting characters are also excellent - Pauline is tooth- achingly annoying and yet believably damaged, Derek is hopeless, Jason is useless and Maureen and Reg - Cathy's parents-in-law - are fantastically dysfunctional and grumpy.
Normally I like my comedy a bit more in your face than Mum but the quality of the performance and writing really raises this to another level. It's a show I find myself grinning broadly at from the opening scenes to the closing credits. I hope there'll be more.