7/10
the classic Disney animated movie that's... a documentary for animation buffs!
7 June 2016
Warning: Spoilers
This is a curious picture in that it's the one feature made during the "classic" Disney animated period (before/during/just after WW2) that might not be that appealing to children. I say 'might' since I can't say for certain for all kids; I think if I saw this when I was younger, it would be a delight, but then it's a movie made for people who may want to know all of THIS that Disney did was possible. It's a hybrid of documentary, ridiculous narrative with a man named Robert Benchley, and actual cartoons.

It's actually a treat to watch for a number of reasons, the first being that it shows the process of a Disney animated movie, a short or feature or whatever. You get to see here the voice actors - as soon as Clarence Nash came on doing Donald Duck my face lit up - and then on to how all of the synchronized sound is out together for the audio effects (hint: there are a LOT of them), and then down to things that most of us take for granted like how paints are made and how the camera works (the multi-plane one that was in heavy use at the time). There's also some character demonstrations and even a clip for the sync-sound portion where we see a portion of Dumbo with the Casey Jr train, only it's much longer and may be its own short which is very charming on its own.

The whole narrative thrust of the movie is so slight that I'm sure the director and whoever was behind this movie barely paid attention to it, where Benchley has an idea to give to Disney for The Reluctant Dragon, gets on to the Disney lot and tries to find good ol' Walt and then gets distracted by every single department. Any time the movie stops to give heed to Benchley it's unfunny and stops dead in its tracks. It might just be because I don't know about Benchley (was he popular at the time, probably, I see he has a list of acting credits), but it doesn't really matter and it kills the real momentum of the piece. I suppose the thought was if it was a straight documentary instead of this man as a 'travel guide' it would be more dry. I'm not sure it would've been since everything to do with how a cartoon gets made - including the storyboard segment on Baby Weens which is pure delight - is fascinating.

Ironically by the time the movie gets to the full Reluctant Dragon cartoon (surprise/spoiler: Disney's one appearance is in the projection room about to screen the finished short, wop-wop), it's slightly a let-down. It's charming enough and has its moments, but it's too long at 20 minutes and as a short it starts to drag in the middle. I think if you're a kid coming to this today you should know the whole feature isn't a cartoon (oddly enough on the DVD release it just comes with the cartoon and a few other shorts so I guess that was forward thinking on Disney's part), but if you love the old process of animation, from drawing to paints to inking to character work (look at how they use that baby for inspiration!) it's a treat. I mean, where else will you get to see Donald Duck show us all how he walks!

The notable thing about this short cartoon directed by Wolfgang "Woolie" Reitherman (who would go to direct many of the notable Disney movies of the 60's and 70's and was part of the "9 Old Men"), is that it features a few pieces of key animation from The Jungle Book several years before the film while *also* featuring some shots which are clearly taken from older Disney movies (I counted Dumbo and Peter Pan, though I'm sure there are bits from others I missed).

It may be that I notice such things after a lifetime of seeing these things, but I think even if you're only somewhat familiar with the animation it will come up as 'hey, wait a minute, that's Dumbo and his mom, isn't it?' All the same it's a cute short - not much more, but the story, about a tiny elephant who is looked on as a pain in the butt for the other larger elephants and gets into mishaps with a tiger (only to later save them all by, again the Dumbo connection, fighting a mouse that they adults are all scared of), is a charming and substantive story of standing up for yourself against odds even if you're smaller or weaker or whatnot.

It is slight, it is silly, and it feels like an early trial run for The Jungle Book long before Balloo and Bagheera and when Khan looked like a rag-doll version of a tiger. It's fine, it's just not anything highly memorable, aside from its cribbing of shots from other Disney movies (perhaps, no, surely, as a way of cutting corners costwise).
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