8/10
What a cast!
14 May 2016
Warning: Spoilers
Despite a couple of minor flaws, it's impossible to dismiss this comedy movie as a failure thanks to the sheer pedigree behind it. Everything looks in place at a first glance: the script is written by one of the most famous horror writers of all time, Richard Matheson. The film is directed by that master of horror, Jacques Tourneur (NIGHT OF THE DEMON). And of course the film has been released by AIP, who made the hugely successful Corman/Poe series at the same time. THE COMEDY OF TERRORS is similar to THE RAVEN in that it teams up a number of major horror stars for a creepy tale with lashings of comedy. This film follows a template that some people may find off-putting; for instance the dialogue is unrealistic and "purple" all the way through, with characters speaking totally unrealistically. The emphasis is on comedy throughout and there are lots of hijinks, pratfalls and plentiful banter between the characters.

The film looks relatively cheap with a few exceptions and takes place mostly in a single location. The special effects are limited and cheesy, but there are some nicely Gothic images of carriages rattling through the countryside and a fog-enshrouded graveyard. In fact the film manages to be pretty atmospheric and/or spooky in a number of spots, especially the graveyard scenes with Irish comedian Joe Brown which expertly mix the comedy and horror genres with ease. However, this is more of a comedy film with horror trappings. Despite on screen death and violence (swordfighting!) the emphasis is on bizarre and amusing characters and the way they interact.

Every character is flawed in this film and loathsome in some way, even the pretty blonde heroine (the buxom Joyce Jameson) who vainly imagines herself as a talented opera singer when in fact she can't sing for tuppence. Vincent Price is utterly hammy in the lead and seems to be totally enjoying himself as a drunkard who doesn't mind smothering people in their beds. Despite his horrible character Price is great as always in a role that doesn't require him to be totally serious, thus suited to his acting style. Peter Lorre is also on hand as Price's put-upon assistant, Felix, and typically Lorre is abused both physically and verbally through the course of the movie. Then we have the delightful Boris Karloff as a hilarious old man who's lost his mind (Karloff gets some priceless dialogue at the dinner table: "Alexander the Great was embalmed in honey" "Edward the 3rd was buried standing up!"), the best thing in the film. One cannot go without mentioning Basil Rathbone, excellent as a victim of catalepsy who cannot die and goes around solemnly quoting Macbeth all the while. It cracks me up every time. Although the film is slow-paced and without a lot of incident, it showcases four of the best actors ever and is fun viewing just to see them together on screen.
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