When We Leave (2010)
10/10
Poignant and touching and sadly very realistic
16 March 2016
Warning: Spoilers
"Die Fremde" or "When We Leave" is a German/Turkish production from 6 years ago. The movie won awards all over the world and was picked as Germany's submission to the Academy Award for the foreign language category. But it was not chosen for a nomination sadly, got snubbed just like "The Edge of Heaven" a couple years earlier. I guess German films with this multi-cultural background just are not to the Academy's liking. Well.. it is their loss as these 110 minutes here are an absolutely outstanding achievement and a truly positive step into filmmaking by writer and director Feo Aladag. And equally much praise from me goes to lead actress Sibel Kekilli, who is in basically every scene of the film and delivers a stunning portrayal as a young Turkish woman/mother whose "terrible" actions (she got divorced, has a German boyfriend, won't give up on her son...) resulted in her being humiliated by her family and becoming an outcast. Yet it is not so easy as she does not want to give up on them and there are moments when they don't seem to give up on her either. It is nice to see that performances like these got her into "Game of Thrones", even if I am not a fan of the series. I hope she can keep having a great career, also abroad. She deserves all the praise and accolades she gets.

Umay, the main character, gets humiliated emotionally and occasionally also physically from start to finish here. Kekilli delivers a truly heartbreaking performance of a modern young woman whose love for her son is too big to be able to accept stupid, nonsensical Turkish customs in terms of gender roles. If the man does not want to be with the woman any more, it is all the woman's fault and she has brought shame upon her family. The concept of "Ehrenmord" (honor killings) is just the negative icing on the cake and it is unbelievable that this also still exists today. With stuff like this, it is really hard to feel tolerance and sympathy for immigrants. Of course, I am only referring to these that still believe in the concepts I mentioned before. With the ending, you can argue if a less tragic outcome, maybe with the film ending the moment her brother runs away, may have been better, but it's good both ways I think. Overall, this film is a masterpiece and there is certainly some gigantic irony to the German Film Awards preferring the extremely forgettable "Storm" with a female lead that does not have 1% of Kekilli's greatness. Anyway, "Die Fremde" is an absolute must-see. Highly recommended.
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