Laughed at when he announces his intention to clean up a corrupt town without using firearms, the mild-mannered son of a famous sheriff soon proves his worth in this western comedy starring James Stewart. While Gary Cooper was reportedly the first choice for the role, the part seems tailor-made for Stewart with his trademark soft manner of talking and milquetoast vocal mannerisms. There is a lot to like about the way he uses his brains rather than brawn to solve problems and the film has several genuinely funny moments along the way. The movie takes a very long time to warm up though; Stewart does not appear until around twenty minutes in and even then he does not dominate the film with a lot of time also dedicated to Marlene Dietrich's pub singer. Dietrich provides at least a couple of memorable tunes, but for the most part, she is nowhere near as interesting as Stewart and the romantic sparks between the pair are less enticing than the problems that he manages to resolve without drawing a gun. Dietrich's final scene is great though, and in fact the overall film manages to fit in a dramatic edge near the end with amazing finesse. Then again, every dramatic note that the film hits works; it is the only the comedy (with lots of messy brawling) that is rather hit and miss. Hal Mohr (who shot 'Underworld U.S.A.' for Sam Fuller) does a very good job shooting Stewart in close-up towards the end and Stewart's silent, solemn looks nicely convey more than words ever possibly could. This may be far from Stewart's best film, but he is as good as ever here.
Review of Destry Rides Again
