Sterling Roy-Dale Entry
23 February 2016
Move over Betty Grable and Joan Blondell because Dale Evans really gets to show her musical and acting chops in this oater. It's a Dale you don't ordinarily see once she settled into Roy's loyal sidekick. Here she shows the kind of spark that would have gotten her a succession of '30's B-musicals ten years earlier. I sure don't blame Roy for grabbing her for a life-time. But please, Roy, don't lock her again in the jouncing boot of a stagecoach with only Limburger cheese to grab onto. It's not a good way to court a girl.

All in all, the 70-minutes amounts to a really good matinée entry. The plot's more convoluted than usual, with Dale as a reporter investigating who's really buried in Wildcat Kelly's grave where Roy owns a dude ranch. Notably, her role requires an aggressive side we don't ordinarily see. Then too, the plot offers up several twists unlike the usual oater. And mustn't overlook the great Gabby Hayes in a more complex role than usual, but showing his usual ornery brand of entertaining humor. Then too, catch those two refugees from urban gangster flicks—Marc Lawrence and Douglas Fowley. Good thing they didn't have to 'mount up'.

There may be less action or good scenery than usual, but the pluses more than compensate. Anyhow, add the Sons of the Pioneers and an outstanding array of western tunes to the mix, and how can even non-front row kids lose.

An "8" on the Matinée Scale.
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