Lee J. Cobb, Kerwin Mathews, Robert Loggia, Richard Boone, Gia Scala, Valerie French, and Wesley Addy are part of "The Garment Jungle," a 1957 film directed initially by Robert Aldrich, who was fired, and finished by Vincent Sherman.
Cobb plays Walter Mitchell, who owns a fashion house, Roxton Fashions, that sells to the trade in New York's garment district. Thanks to a partnership with mobster Artie Ravidge (Boone), he has managed to keep the union, ILGWU, out of his shop. The union has been gaining ground in the industry. One union worker, Tulio Renata (Loggia) is determined to unionize the sweat shop.
When Walter's partner wants to unionize, he is murdered, and though it's made to look like an accident, no one is fooled.
When Alan (Mathews), Walter's son, returns to New York after being away for several years, he's shocked by what is going on and that his father seems to be condoning violence to keep the union out.
Some of this is quite good showing the problems that the union had breaking into the garment industry, as well as the brutality some of the unionists faced.
Viewed today, some of the film is over the top. I found Loggia and Gia Scala, as a passionate Italian couple, too exaggerated. In fact, theirs and Cobb's performances were too theatrical. Compared to them, in fact, Kerwin Mathews seemed bland until the end of the movie. Mathews found success in costumers later on.
Boone and the actor playing his enforcer, Wesley Addy, gave restrained performances, playing against gangster personalities. The beautiful Valerie French had a smaller role as Cobb's girlfriend, a major buyer.
One thing that was a little out there was a funeral scene - footage from something else was used - maybe Valentino's funeral? It didn't seem plausible for the character who passed away.
All in all, a good film, though it doesn't stand up against a film like Waterfront.
Cobb plays Walter Mitchell, who owns a fashion house, Roxton Fashions, that sells to the trade in New York's garment district. Thanks to a partnership with mobster Artie Ravidge (Boone), he has managed to keep the union, ILGWU, out of his shop. The union has been gaining ground in the industry. One union worker, Tulio Renata (Loggia) is determined to unionize the sweat shop.
When Walter's partner wants to unionize, he is murdered, and though it's made to look like an accident, no one is fooled.
When Alan (Mathews), Walter's son, returns to New York after being away for several years, he's shocked by what is going on and that his father seems to be condoning violence to keep the union out.
Some of this is quite good showing the problems that the union had breaking into the garment industry, as well as the brutality some of the unionists faced.
Viewed today, some of the film is over the top. I found Loggia and Gia Scala, as a passionate Italian couple, too exaggerated. In fact, theirs and Cobb's performances were too theatrical. Compared to them, in fact, Kerwin Mathews seemed bland until the end of the movie. Mathews found success in costumers later on.
Boone and the actor playing his enforcer, Wesley Addy, gave restrained performances, playing against gangster personalities. The beautiful Valerie French had a smaller role as Cobb's girlfriend, a major buyer.
One thing that was a little out there was a funeral scene - footage from something else was used - maybe Valentino's funeral? It didn't seem plausible for the character who passed away.
All in all, a good film, though it doesn't stand up against a film like Waterfront.