$2 the first bet, Doubling almost daily until it reaches three or four more zeros as an honest man's life descends into degradation to a sudden addiction. John Litel, a former leading actor at Warner Brothers in the 1930's, gives a magnificent performance in this low budget crime drama that starts off light-hearted where, as a loving family man successful in business, he continues to fall down and not get up as his situation gets worse. He keeps a good credit line with the bookie that he makes horse racing bets from, and they certainly know how to sucker him in period that fabulous femme fatale, Marie Windsor, plays a nefarious schemer who helps her boss drag him and deeper, pretending to be romantically interested in him and aiding in increasing his debts, culminating with him stealing from his own company, he becomes more desperate, and this leads to a truly shocking twist that he never would have even considered had he not been in this situation.
The storyline involved in lighthouse family is very light hearted and typical 1950s sitcom. He has two teenage daughters, both boy crazy, & a wise and wonderful mother in law (Kay Lavelle) who stands by him and encourages him to go on with his life even though her daughter was his late wife. They have a brother/sisterly relationship in spite of being mother in law and son in law, and that is one of the most touching non-dark elements of this film. the postwar years of cinema focus on many social problems including alcoholism, insanity and gambling, previously seen with Barbara Stanwyck in the lady gambles, and now presented from a decent mans point of view. Litel is very likable, and it is difficult to see him fall from grace with this situation. Look for Carl Switzer and Barbara Billingsley in small roles.
The storyline involved in lighthouse family is very light hearted and typical 1950s sitcom. He has two teenage daughters, both boy crazy, & a wise and wonderful mother in law (Kay Lavelle) who stands by him and encourages him to go on with his life even though her daughter was his late wife. They have a brother/sisterly relationship in spite of being mother in law and son in law, and that is one of the most touching non-dark elements of this film. the postwar years of cinema focus on many social problems including alcoholism, insanity and gambling, previously seen with Barbara Stanwyck in the lady gambles, and now presented from a decent mans point of view. Litel is very likable, and it is difficult to see him fall from grace with this situation. Look for Carl Switzer and Barbara Billingsley in small roles.